In his article in the April 23rd Village Voice about genetically
enhanced beings, Erik Baard illustrates the relevance of "X2"
current experimentation in biology. "The day is approaching when
wealthy parents can pay to have markers tweaked or added to
bolster qualities like intelligence and athleticism. But the rights of
such progeny are being curtailed before the people even exist."
Who'd have thought that these enhanced beings would cause
trouble? Simple. Baard asks "How would you feel about your
first child when the second one comes bundled with upgrades?
Could the younger sibling ever enjoy a sense of real achievement,
or would the kid forever wonder if that three-minute mile had been
written in before birth?"
There's the analogy. In "X2," the enhanced human beings have
already been created. Ordinary human beings are threatened by
these people, called mutants, who have special gifts. The ordinary
fear their powers, powers which came to the mutants not by
evolution but by a sudden leap not unlike the leap that current
experimentation in genetic modification might in the near future
afford. In "X2," the President of the United States is ready for war
against the mutants and uses hi-tech systems to locate them on
Earth, handing the command over to General Williams Stryker
(Brian Cox), who this time around sports a pair of rectangular
spectacles and goatee, taking away the actor's usual
resemblance to Marlon Brando. In addition the president is
pushing The Anti-Mutant Registration Act by which children can
be taken from their homes, thus affording yet another connection
to present-day U.S. in which Attorney-General Ashcroft proposes
a cornucopia of new laws that could allow unrestricted wire taps
and the holding of people deemed enemy agents without charges
and without legal counsel.
The general's plan calls for attacking the School for Gifted
Children which is under the direction of Prof. Charles Xavier
(Patrick Stewart) and what's more, Stryker has no ambition for
territory or fame: he simply hates. He has a personal vendetta
against Prof. Xavier and is determined to rid the entire world of
mutants forever. As a result, the X-men must team up with some
former adversaries the enemy of my enemy is my
friend principally with the evil Magneto (Ian McKellen) and rely on
Wolverine (Hugh Jackman, who bears a lupine hair style
throughout) to counteract the violent plans of the enemy.
"X2" can be appreciated as a unit in itself even by those who
never experienced the 1999 version. Bryan Singer's earlier take is
a Marvel Comics-inspired saga about the linking up of misfits who
find a safe haven with Professor X, thereby becoming the X-Men.
A principal conflict in 1999 was between Magneto, who believes
human beings are the enemy to be conquered, and the professor,
who believes that mutants can be assimilated into human society.
Still, the more youthful in the moviegoing public who are
acquainted with the X-Men comic books have a solid background
and can best enjoy the film as did those in the audience I sat with
who laughed frequently at lines that resonated from the comic.
Singer, whose resume includes thought-provokers like "Apt
Pupil" and "The Usual Suspects," brings back a good deal of the
cast in the lead roles. Aside from Jackman, Stewart and
McKellen we're reintroduced to Rebecca Romijn-Stamos as
Mistique, whose ability to instantly change shape would mystify
the best of plastic surgeons; and Anna Paquin as Rogue, who
moves from her former infatuation with Wolverine to someone her
own age. More interesting than any of these principals are folks
like Yuriko Oyama, known as Deathstrike (Kelly Hu) and
especially Nightcrawler (Alan Cumming), who gives new meaning
to dressing with tails and who, early on, attacks the President of
the U.S. in a fight scene which may have been topped by more
elaborate special effects later on but whose choreographed
invasion of the White House bouncing off walls, disappearing,
foiling a team of secret service and military personnel guarding the
chief executive is the most vibrant struggle in the film. Concept-
wise, Nightcrawler's devilish looks and religious beliefs mark him
as a misfit to the greater human society, leading the latter to have
little to do with him, while others, like Stryker, mark him for death.
While the story itself has too many characters to be credible,
focused and thematically centered, "X2" is the film to see for
special effects rarely equaled. The fight to the death between
Stryker's special aide Yuriko Oyama and Wolverine is a stunner,
particularly since Wolverine's retractable claws are only half the
size of his opponent's, giving the female of the contest the upper
hand (so to speak) almost throughout. Glass is made to be
broken in "X2," the most dramatic scene involving Magneto's break
from Stryker's glass prison.
Other characters are in supporting roles, carrying little dialogue
that could be considered witty. Halle Berry's looking fine with her
large blond wig as Storm, and like Dr. Jean Grey (Famke
Janssen) is able to do wonder with her eyes. Ultimately we see
Patrick Stewart's character as the kind of person that one of the
elect should be. In the final scene his Professor Xavier sits calmly
in his chair addressing a small class of gifted students, kids
whose love for their teacher is almost visceral. Call me a misfit
but this final scene appealed to me more than any other given my
background as a high-school teacher who always dreamed of an
ideal class of youngsters just like Xavier's young people who'd
come to school excited about each day's discussion and already
filled by their parents' example with the kind of humanism so
lacking in the diverse and colorful assortment of Bryan Singer's
villains.
Copyright © 2003 Harvey Karten