Review by Dragan Antulov
2½ stars out of 4
Alternative history is a concept rarely used in movies, and not only
because it requires larger budgets and more inventive screenwriting
in order to realistically create alternate words. It is rarely used
because many people simply can't grasp it. One of such instances
happened in Croatia when WHITE MAN'S BURDEN, 1995 science
fiction drama written and directed by Desmond Nakano, came into
local video stores. The distributor advertised the film as being set in
"near future".
The plot of the film is actually set in present day, but that present day
is in alternative America where the position of races is reversed.
Blacks are affluent majority, while whites are impoverished minority,
forced to live in inner-city ghettos in vicious cycle of violence,
poverty and always confronted with prejudice. Louis Pinnock
(played by John Travolta) is white factory worker who tries to do the
right thing and provide good life for his family. In order to earn some
extra cash he volunteers to deliver package to the house of Thaddeus
Thomas (played by Harry Belafonte), black CEO. There he
accidentally glimpses Thomas' wife Megan (played by Margaret
Avery) coming under shower and gets mistaken for a voyeur. This
misunderstanding has disastrous consequences for Pinnock - he loses
job, gets beaten by black cops and his family gets evicted. In despair,
Pinnock decides to kidnap Thomas and demand justice.
Desmond Nakano is Japanese American and as such he was probably
more qualified to comment on the state of black-white relations in
1990s America. Those relations became big issue after Los Angeles
riots and O.J. Simpson affair. Nakano's observations are quite
interesting, especially in the first part of the film when we watch
usual racial stereotypes in reverse - whites seen as potential rapists,
criminals; media dominated by black faces as embodiment of beauty;
black cops harassing white leaving in inner-cities etc. However, the
novelty quickly wears off and it soon becomes apparent that
Nakano's view of present-day America is too simplistic - affluent
blacks are today much more common sight than they used to be some
forty years ago and anyone who watches JERRY SPRINGER SHOW
knows that poverty doesn't recognise racial boundaries. In the second
part the film degenerates into cliches when Thaddeus and Louis start
to befriend each other and have to dodge police bullets. Travolta and
Belafonte, however, play their roles superbly and improve the
general impression of this film. WHITE MAN'S BURDEN, although it
could have been much better, serves its purpose by allowing the
audience to see some banal facts of life from thought-provoking
perspective.
Copyright © 2003 Dragan Antulov
|