Review by Dragan Antulov
1 star out of 4
One of the most remarkable things in Ridley Scott's ALIEN is a vision
of future in which space travel ceased to be domain of intrepid
pioneers and brilliant scientists and instead turned into business for
ordinary "blue collar" types. More than a decade later, this concept
was brought to extreme in SPACE TRUCKERS, 1996 science fiction
comedy directed by Stuart Gordon.
Protagonist of the film is John Canyon (played by Dennis Hopper),
one of the last independent space transport entrepreneurs. Times are
hard and if Canyon wants to keep his space vessel, he mustn't be too
choosy when it comes to clients or too inquisitive about the nature of
cargo. On the space station he takes one such cargo and must deliver
it to Earth. He also takes two new crew members - young "space
truck" pilot Mike Pucci (played by Stephen Dorff) and waitress Cindy
(played by Debi Mazar). Soon all three of them realise that the cargo
happens to be small army of unstoppable killer robots. Their ship is
soon attacked by pirates led by Macanudo (played by Charles
Dance), grotesquely disfigured former scientist who wants to use
robots for world conquest and similar nefarious purposes.
Stuart Gordon, filmmaker who enjoys something of a cult following
thanks to his 1980s horror films like RE-ANIMATOR and FROM
BEYOND, had an interesting idea to combine space opera with 1970s
road movies (just like OUTLAND had combined space opera with
classic western plots). Unfortunately, this idea was compromised at
the very beginning of the film, with Gordon abusing it for the sake of
cheap laughs - Canyon's space ship that looks like one big truck and
space station populated by "space truck" drivers who listen to
country & western music. The rest of the film doesn't go much better,
with quality of humour rapidly declining, special effects becoming
cheesier and some actors like Stephen Dorff and Debi Mazar looking
like they have wandered to the wrong movie set. There are few
memorable scenes in the films, although more sensitive viewers
would question Gordon's good taste (which would hardly come as a
shock to those familiar to Gordon's 1980s films). On the other hand,
those viewers who could handle such heavy stuff would find those
scenes having little or no relevance to thin plot. In the end, SPACE
TRUCKERS could be recommended only to the most fanatical
devotees of Stuart Gordon and those fans of science fiction cinema
that need to watch bad films in order to truly appreciate the good.
Copyright © 2003 Dragan Antulov
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