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Review by Harvey Karten
3½ stars out of 4
Monday, January 13, 2003 Posted: 5:08 PM EST (2208 GMT)
TEHRAN, Iran (Reuters) -- Iranian women have begun to penetrate
the once all-male preserve of soccer stadiums, in a trend that
authorities hope will improve the behavior of the Islamic Republic's
fanatical male supporters.
Yep. The mellowing mullahs of modern Mesopotamia have
achieved democracy at last. What's next? Women as players on
the field? Iran is not ready for that - imagine how bare-legged
coeds on the field would influence the behavior of men in the
stands and on the playing grounds. Western nations, of course,
are way past that with high schools and colleges encouraging
either coed sports or at the very least some all-girls' teams. Just
think, though about the resistance that would be put up by
traditional parents, moms and dads who worry that their darlings
might grow muscles, and who'd want to marry them then?
Gurinder Chadha's "Bend It Like Beckham" takes on that very
theme in a rollicking movie with an exuberance that one of my
British friends tells me is fairly rare in comedies produced on the
specter'd isle. If "My Big Fat Greek Wedding" can stun the
experts by leading the box office for several weeks in what must
have been considered a fringe indie, then why not "Beckham" -
which is better acted, funnier, and has something to say about
race and gender relations today?
The movie, which is co-written by director Chadha and Paul
Mayeda Berges, takes us to two communities in West London and
Southall, one inhabited by a boisterous population of ethnic
Indians, at least one of whom had emigrated from Kenya, and one
housing a family of blondes who are traditional in their own way.
Jess Bhamra (Parminder K. Nagra), a high-school senior who
worships a professional soccer player named Beckham as
evidenced by a large picture in her room, is about to enter an
English college and is encouraged by her dad (Anupam Kher) and
Mom (Shaheen Khan) to emulate her soon-to-be-married older
sister Pinky (Archie Panjabi). Instead the parents are appalled that
she has taken up an invitation from a white classmate, Jules (Keira
Knightley) to try out for an all-girls' soccer team coached by Joe
(Rhys Meyers). Fireworks begin when Jess's folks find out about
her athletic sojourns, forcing Jess to sneak out of the house from
time to time to join the team. Complications develop when the
coach displays more amorous attention to Jeff than to Jules, the
woman who has the hots for him. and when the date chosen for
Jess's sister wedding is the very day that Jess is scheduled to play
in the most important match of the season.
"Bend It Like Beckham" breaks no new ground - after all, has
there even been a year that filmmakers have eschewed productions
about inter-cultural rivalries and generational gaps? But this one is
exceptional for the genre. No mindless, Adam Sandler-like
"Waterboy" which reaches for the audience gut by finding a clown
that everyone picks on but who shows 'em all up by the end,
"Beckham" sneaks its theme easily and entertainly into the story,
on the side of the angels in urging parents to avoid pushing their
conventional expectations onto children who have been born into a
different cultural world. Mr. Bhamra regrets that he gave in to
social demands when the British subjects in Kenya laughed at his
regular use of a turban and refused to allow him to enter into their
competitions. Rather than use his resentment to fight for his
daughter, he has unconsciously passed on his disillusionment in
much the way that an abused child will pass on the brutality he
has received to his own children.
Both the white English mom (Juliet Stevenson) and the Indian
mother are fit subjects for Chadha's satiric eye, the former for her
general ditziness and her conviction that soccer playing has turned
her daughter, Jules, into a lesbian; and the latter for overly
protecting her little girl, trying to fit her into the dull conformity of
cooking chapatis and masalas coupled with marriage to a
traditional Indian boy.
The swiftly-paced film is all in the greatest of fun, with young
Parminder K. Nagra and her love interest, played by Jonathan
Rhys-Meyers, turning on the chemistry in buoyant performances.
Craig Pruess's lively soundtrack bounces up the mood even further
while Jong Lin's lensing, aided mightily by Justin Krish's editing,
keeps the soccer plays exciting.
Copyright © 2003 Harvey Karten
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