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Review by Harvey Karten
3½ stars out of 4
Yes, Virginia, there is a Santa Claus, but not what you think.
Yes, he is a man, but no, he only pretends to have reindeer and
a sleigh with an army of elves working for him.. In fact, he
prefers Miami and Phoenix to the North Pole and works with
only one little guy who's not entirely satisfied with carving
statues and sewing cloth. In fact, he appears almost to listen to
what they say. They sit on his lap in a department store, give
vent to their fantasies sometimes sneezing all over him and he
appears to go along with whatever the small fry want for
Christmas. Just one thing. You don't want to ask him for a liver
transplant.
Santa is also known coincidentally as Willie T. Soke. When it
comes to liquor he is not only soaked; he's perfectly sloshed, yet
the three-feet tall fella usually at his side, Marcus, is not a
product of his fevered, alcoholic imagination but an authentic
elf, or midget, or in politically correct terminology one of the little
people.
Everyone in this hilarious, dark comedy is flawed to one
degree or another. Soke (Billy Bob Thornton) is a depressive,
an alcoholic, a safecracker and while he knows how to love
women, he's not exactly a friend to those under the age of
twelve. But he'll learn, or the writers of this movie are not John
Requa and Glenn Ficarra. The way he'll learn is not through a
textbook or a therapy session, not as long as director Terry
Zwigoff is telling him how to perform, but in the true spirit of
educator John Dewey, he learns by doing. He does quite a lot.
Soke's thing is to work twice a year; once as an Easter Bunny
(a role we're not privileged to see) and once as a department
store Santa. As the soundtrack ironically intones the sounds of
Bing Crosby, Soke is in Phoenix with a line of kids waiting to sit
on his lap, all of whom get introduced by the department's
maitre d', Marcus (Tony Cox). On the last day of his gig each
year, this Santa having cased the joint for a week or so, hides
out at closing time, and with the help of his small assistant he
cancels the store alarm and proceeds to break open the safe,
pocketing in one haul $100,000. The money is enough to go to
Miami Beach, open a bar and buy a car or so he thinks, which
is yet another fantasy since a bar is the last place you'd want
him to be. While Marcus is not the guy who will set him straight,
he gets his lessons in fair play and sentimentality not from New
York Times' ethicist Randy Cohen but from a chubby third
grader (Brett Kelly), a lonely boy whose dad is in the slammer,
mother is who-knows where, and his grandmother (Cloris
Leachman) is either comatose or making him sandwiches.
"Bad Santa" does not spend a single minute in a sober vein,
keeping the visual and verbal gags flowing, all the more
effective by coming across in deadpan style. The kid accepts
razzes from his bullying schoolmates, sandwiches from his
grandma, and compliments from Santa with equanimity. He'd
be the sort who, if a defendant in a serious trial, would show no
emotion when the guilty verdict is read. Even more deadpan,
Willie T. Soke hustles every child who sits on his lap with an
indifferent, "What d'ya want?", in one case replying to a girl who
wants a bike, "How different."
Vulgar but happily without bathroom humor, "Bad Santa" has
some terrific side roles, with the late John Ritter's playing an
effete, prudish store manager dialoguing with the head of
security, Gin Slagel (Bernie Mac), who embarrasses the
manager every seven seconds by spouting a dirty word or
imagining a boink. Drunk or not, boinking is in fact what Soke
can be counted on doing, especially with a gal who has a Santa
fetish, Sue (Lauren Graham), who wears a Santa hat in bed.
This is the kind of picture that should encourage box offices
around the country to display a big sign, "This picture is rated R
and is not for parents who have their ten-year-olds in tow." Sure
enough, at the screening I attended, one pair of thirty-
somethings hustled their six children out of the theater after the
"f" word was spoken a second time. Don't these people read
reviews? That's what the critics are here for. Read us!
Copyright © 2003 Harvey Karten
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