Blaxploitation movies are according to Ephraim Katz's "The
Film Encyclopedia" "a category of sensational, low-budget
motion pictures made in the early 70s that featured tough
African-American heroes in gritty urban settings....Typically
crime thrillers laden with violence and sex, the films often
employed black directors as well as actors."
If you're young, the principal target audience of
"Undercover Brother" which purports to satirize this genre of
film, you may never have seen the original "Shaft" or my
favorite, "Sweet Sweetback's Baadaas Song." The latter,
starring its director-financier, writer-scorer Melvin Van Peebles,
is about a superstud who runs from the police more than even
Lola ran to get her boyfriend's money in Tom Tykwer's "Run,
Lola, Run."
In parodying the blaxploitation genre which is itself a parody
of movies that take race relations too seriously "Undercover
Brother" is not in the same league as the above. While Van
Peebles is far more interested in returning violence with
violence (as is the eponymous Shaft), director Malcolm D. Lee,
a cousin of Spike Lee, is playing strictly for laughs. There's
nothing in his comedy a series of Saturday-Night-Live skits
more than a coherent plot that we don't already know, so we
must judge the pic with our laugh meter. Except for one or two
bright comedic spots, one being a skit in which the title
character played by Eddie Griffin is hired as a consultant to a
tobacco marketer, impressing them that the black man and
black woman want a REAL cigarette, long and thick,
"Undercover Brother" is repetitious. We may smile rather than
guffaw but at least, given the thankful absence of bodily solids
and fluids and gases, there's nothing that would embarrass
anyone in the summer movie crowd.
The Undercover Brother, Anton Jackson (whose name doesn't
cross the soundtrack), is stuck like Austin Powers in the '70s,
but while he never says groovy or even dig-it, his 'fro is the right
size and his threads are cool. When he encounters an
organization that seems a parody of a parody of a Bond movie
(like the aforementioned Austin
Powers) B.R.O.T.H.E.R.H.O.O.D he at first makes one of its
lieutenants, Sista Girl (Aunjanue Ellis) roll her eyes. But the
organization soon sees the Brother as the man who might
counteract the forces of the group's diametrical opposite, a
corporation known as The Man, whose leader seeks to put the
black man in his place by making a fool out of the first African-
American presidential candidate (Billy Dee Williams imitating
Colin Powell). Under the influence of a new drug he is
administered, the candidate decides to throw his hat into the
ring, but for the role of chief executive of a fried chicken
franchise, General Fried Chicken whence comes a series of
gags that might prompt the audience to ask, "What are they
serving for dessert watermelon?"
"Undercover Brother" has the usual rip-offs of prior movies like
"The Matrix" as Jackson takes up arms and legs against the
KKK-like lieutenants in the corporation. With the help of the
affirmative action white boy, Lance (Neil Patrick Harris);
Conspiracy Brother (David Chappelle as the most comically
anti-white of the organization), Smart Brother (Gary Anthony
Williams), The Chief (Chi McBride), and Sista Girl, the brothers
must not only fight directly against the right-wing corporation but
stop Undercover Brother from being co-opted by The Man's
chief woman, the seductive and gorgeous Penelope Snow
(Denise Richards).
Despite invectives that fill the movie like "white boy," the racial
taunts are gentle enough to be taken as all in good fun.
"Undercover Brother" is a pleasant enough summer
entertainment, but Eddie Griffin is no Eddie Murphy and even at
83 minutes the pic overstays its welcome.
Copyright © 2002 Harvey Karten