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Review by Harvey Karten
2½ stars out of 4
If you're psychologically messed up can't get a date, can't
make friends, can't keep a job because of your
neuroses you've got to blame someone don't you? Who's the
obvious target? Your parents! Psychologists are frequently the
butt of jokes made about them by people who think that all
these professionals have to say is, "Und how vas your
childhood...did you hate your muzzer?" While our parents often
really are to blame for our emotional problems, what good does
it do to point the finger at them? You won't get rid of your
shticklach that way and they may not even be around any longer
for you to get some comeuppance with them. In Callie Khouri's
movie "Divine Secrets of the Ya-Ya Sisterhood," adapted from
two novels of Rebecca Wells, Sidda (Sandra Bullock), a
successful playwright, gave an interview to Time magazine in
which she accused her mother, Vivi (Ellen Burstyn) of various
improprieties in upbringing. When Vivi read the article, she
emotionally disowned the lass, even sending Sidda some family
pictures with Sidda's photos cut out.
"Divine Secrets of the Ya-Ya Sisterhood" has a stunning cast
of performers who repeated get roles despite (or, in fact
because of) their age, namely Ellen Burstyn as the once drug-
and alcohol-addicted mom, James Garner as the passive and
saintly dad, Shirley Knight and Maggie Smith as childhood
friends of Vivi who in one pre-pubescent rite around a campfire
pledged a blood-defined sisterhood with one another, calling
themselves the Ya-Ya's. Determined to stick together through
life, the now-elderly women set out to honor their pledge, by
getting Sidda and Vivi to make up and be friends.
The plot is a dandy one to work with and because the
emphasis is almost wholly on the women (men are there mostly
as decoration, particularly the handsome Angus MacFadyen as
Sidda's fianc‚ Connor), "Ya-Ya" has been called a chick-flick.
However the story goes hither and thither from childhood
experiences (most powerfully a scene in which the drug-crazed
Vivi takes a strap to Sidda for no rational purpose whatever) to
the women as adults that a genuine connective thread is lost.
What's more there is so little similarity between the younger Vivi
played by the beautiful Ashley Judd and the older gal as Ellen
Burstyn that one can't be blamed for confusing the women, who
at times seem interchangeable. As for the notion of "chick-
flicks," I don't see the point in labeling or separating stories by
gender genres, nor could I ever understand the practice of
teachers in junior high school to assign summer reading as two
lists: one for boys, the other for girls. Don't we men want to
know how the other half lives? What they think? What turns
them on?
Though Roger Ebert holds that there isn't a believable
moment in the film, perhaps the Chicago-based reviewer (like
me) has no experience with Southern belles who despite the
homogenization of America still act in ways that may be
incomprehensible to us northerners. Believability is not the
problem. The women are a pleasure to watch. But a more
straightforward narrative would have been helpful.
Copyright © 2002 Harvey Karten
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