| Reviewer Roundup |
| 1. |
 | Dragan Antulov |
 | review follows |
 |   |
| 2. |
| Andrew Hicks |
| read the review |
|    |
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Review by Dragan Antulov
2 stars out of 4
Apart from its main goal - forcing world masses to part with their
money in order to watch garbage on the big screen - Hollywood
propaganda can have strange, bizarre and sometimes even
frightening effects on people. One of those effects was noticed by
the author of this review when he was in cinema theatre, watching
DANGEROUS MINDS, 1995 drama directed by John N. Smith.
Some time in the middle of the film, the audience for the first time
had opportunity to hear Coolio's "Gangsta's Paradise" - song that
had flooded the world's airwaves for the sake of movie's
promotion. Upon hearing familiar words and music, almost every
young girl in the theatre started to sing that tune with the fervour
and passion you could expect only from the fanatical followers of
an obscure religious cult.
This event describes both strength and the weakness of
DANGEROUS MINDS. Although based on the true story, described
by former Marine lieutenant Louanne Johnson (played by Michelle
Pfeiffer in the film) in her book MY POSSEE DON'T DO
HOMEWORK, the plot is nothing new. Our heroine takes the job of
an English teacher in East Palo Alto high school, place where the
majority of students are Latinos and blacks from troubled inner-
city neighbourhoods. Her class is worst of them all, made out of
hopeless students. Louanne, however, notices hidden potential
among them and devises successful strategy to win their heart
and minds and thus incite them towards learning and getting
diplomas. Unfortunately, conservative school establishment shows
little understanding towards her unorthodox methods, while one of
the students, Emilio Ramirez (played by Wade Dominguez) gets
involved in a conflict that could get tragic consequences.
DANGEROUS MINDS is just another standard (and cliched) story
about noble teacher who rescues unprivileged children by showing
them the world that exists beyond their ghetto walls. As such, it
was more suitable for television, yet the well-oiled hype machine of
legendary producers Jerry Bruckheimmer and Don Simpson, not
discouraged by the lack of chases, explosions and "cool" CGI
effects turned it into full-blown summer blockbuster. This triumph
of hype is, of course, unmatched by the achievements of
filmmakers. Ronald Bass' script is formulaic, with cliche
characters and predictable situations and plot points. The film is
rescued solely by the good acting. Michelle Pfeiffer is truly
impressive in one of her "meatier" roles, and her efforts are aided
by good work of George Dzundza who plays her friend, colleague
and mentor. John Neville (best known as Well-Manicured Man in X-
FILES) also makes a memorable cameo as waiter. In the end,
viewers would have little reason to be disappointed, but the author
of this review still believes that DANGEROUS MINDS didn't belong
to the big screen.
Copyright © 2002 Dragan Antulov
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