"Back to the Beach" stars Avalon and Funicello, playing their screen images, as a married couple living in Ohio. Avalon seems to have lost his spontaneity and is now an uptight car dealer, while Funicello is a spunky housewife who has an obsession with peanut butter. Together, they have two kids, a daughter, Cindi (Lori Loughlin) in her early twenties living in Malibu, and a teenage son named Bobby (Demian Slade) who dresses like a punk. At the start of the film, they realize that they desperately need a vacation, so while on their way to Hawaii, they stop over in Malibu to see Cindi, not knowing that her fiance (Tommy Hinckley) is living with her on a pier at the beach. After they get there, Annette and Frankie get in a fight when he meets up with an old pal from the beach, Connie Stevens, and appears to be having more fun with her. Figuring into the story are various musical numbers, a surfing contest, and, yes, beach parties.

By hearing the premise, "Back to the Beach" may sound exactly like Funicello's and Avalon's old movies, but it is not at all. "Back to the Beach," in fact, is one of the most entertaining comedy musicals I have ever seen, and is one of those movies that can be watched over and over (and I've seen it many times, to be sure).

One of the biggest surprises of the film is that the movie is a little bit more edgy than expected. Funicello and Avalon are good sports, and actually satirize their images to humorous effect. Funicello, especially, is so purely good and sweet that she is absolutely entertaining to watch. Stealing the opening scenes of the film is Demian Slade, who is hilarious as their punk son. Remarking about his parent's dim-witted conversations, he observes, "It's like a conversation at the Kissinger's."

The music in "Back to the Beach" is perhaps the main star of the picture, and every song is memorable and fun to listen to. The musical numbers are also well choreographed and they give off a lot of spark and joy.

"Back to the Beach" is, by no means, a deep and thought-provoking motion picture. It knows that it is only a "beach" movie, and it makes the most of it by adding a winning, lightweight screenplay, charming performances by the whole cast, a delightful array of cameos (ranging from Barbara Billingsley to David Bowie to Pee Wee Herman), and some great music. And when you're dealing with Frankie and Annette, what more could you ask for?