It was easy for me to forget after watching films like
Crimes and Misdemeanors and Mighty Aphrodite
that Woody Allen began his career making light-hearted slapstick
comedies. SLEEPER, the incredibly funny follow-up to BANANAS,
continues the antics by taking a premise and going seemlessly from
location to location, uniting all sorts of sitcom-like situations. One
minute Woody is using a giant inflatable suit to escape from his
enemies and the next he and Diane Keaton are posing as doctors
who must perform an operation they know nothing about, a set-up
that's been used countless times since, most notably in SPIES
LIKE US and HOUSEGUEST. (I'm not implying there was anything
notable about the movie HOUSEGUEST.)
The premise that provides all this has Miles Monroe
(Allen), owner of the Happy Carrot Health Food Store, being
thawed out in the year 2173, two hundred years after he went
into the hospital for a "routine operation." The country has since
become a police state and the doctors who revive him ask all sorts
of questions about the long-since forgotten era of history he came
from.
For instance, a video clip of Howard Cosell yammering in
monotone about some sport -- a torture device used on the most
brutal prisoners? "That's exactly what that was," Allen replies.
Woody also finds comedy in the doctors' passing revelations that
the health food he and other people so faithfully devoted themselves
to was actually destructive to the body. One doctor offers nervous
Woody a cigarette to calm him down. "Tobacco is one of the
healthiest substances for the body."
We soon find out the real reason he was thawed out -- to
help lead the underground resistance. As the only person alive
without massive amounts of government data compiled about him,
he could be invaluable to them. All this comes into play toward the
end, in a hilarious climax involving the leader's nose, but for most of
the movie, he's Dr. Woody Kimball, fugitive from the law, running
and hiding in multiple comedic scenes, many of which offer
extended silent sequences hearkening back to the silent Chaplin
and Keaton films.
And why not? Woody's done his take on almost every
other era of movie making, from the romances of the 30's (Purple
Rose of Cairo) to the documentaries of the World War II era
(ZELIG) and even ancient forms of entertainment like radio (RADIO
DAYS) and Greek tragedy (MIGHTY APHRODITE). His talent for
mixing silent slapstick with his hilarious-as-usual one-liners (after
he is given a pet robot dog as a gift, he asks, "Is this dog
housebroken or is he going to be leaving little batteries on the
floor?") makes SLEEPER just one of the many classic films
Woody Allen has brought us.
Copyright © 1996 Andrew Hicks