out of 4
All-Reviews.com Movie/Video Review
Dead Man Walking
Review by Dragan Antulov
3½ stars out of 4
Hollywood studios like to have simple and easy-to-digest world in
the movies. Even when their movies deal with Big Issues, they
usually adopt one simplistic view and try to hammer it into
audience's minds with the subtlety of George W. Bush's diplomacy.
As most of us (at least outside USA) know, the world is much more
complex place and there are two sides to every story. So, when an
American film tries to approach some important issues with
impartiality, this is a rare event indeed. Such rare example could be
found in DEAD MAN WALKING, 1995 drama directed by Tim
The plot of the film is based on 1993 non-fiction book by Helen
Prejean, Catholic nun known for her work with death row inmates.
In the beginning of the film Prejean (played by Susan Sarandon)
works in Louisiana inner-city shelter and receives letter from
Matthew Poncelet (played by Sean Penn), inmate who awaits
execution in Angola State Prison. Poncelet, sentenced for rape and
murder of teenage couple, claims that he is innocent and wants the
nun to help him set up last-ditch legal effort to prevent execution.
Sister Prejean visists Poncelet in prison and slowly begins to
understand his character, motivations and crimes for which he is
condemned. The visits to grieving victims' relatives and obvious
futility of legal efforts lead her to change her mission. She starts
convincing Poncelet that admit his crimes and thus face the inevitable
with some dignity and peace of mind.
Susan Sarandon and her long time companion Tim Robbins are
known for their leftist (radical for US standards) views, so it isn't a
problem to guess what their views are in death penalty debate. Nor
does Sister Helen Prejean hide her anti-death penalty views. But
DEAD MAN WALKING, at least for most of its running time, refuses
to clearly take sides in the issue. Instead both sides in the debate are
allowed to express their arguments and it is left to audience to make
the conclusion. The movie avoids usual death penalty movie cliches -
the man on the death row (fictional composite of two real-life
character) is not innocent and he is not even particularly likeable.
Sean Penn convincingly plays him as white-trash loser and pathetic
weakling who had committed his atrocious acts because of his poor
background, ignorance and emotional insecurity; this same insecurity
is revealed in the way he adopts extreme racism as a way to shield
himself from his own individual inability to face the inevitable.
Penn's performance is much better than Susan Sarandon's; "Oscar"-
awarded actress plays convincing, but too saintly character. The
other roles are also superb, especially those played by Raymond J.
Barry and R. Lee Ermey - both men give understated but powerful
performances that show the effect of violent crime on survivors. The
movie is at times slightly overlong, and in the end somewhat too
manipulative - religious symbolism at the end could have been
avoided, and musical score sounds too "hip" for its own good.
Despite those flaws DEAD MAN WALKING should be commended
for doing something which is rare in Hollywood these days - making
Copyright © 2003 Dragan Antulov
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