BEFORE SUNRISE is a romantic talkfest. It celebrates the joy of
conversation between two people who have just met and who are rapidly
becoming enraptured with each other's conversation and presence.
It is a two character movie featuring Julie Delpy (last seen in
WHITE) and Ethan Hawke. They play two people in their 20s who meet on
a European train. The movie happens almost in real time since it all
takes place in less than 24 hours. The movie has a realness to it that
approaches almost a documentary feel. This is not surprising since it
was written and directed by Richard Linklater whose first movie was the
black and white avant-garde SLACKER. BEFORE SUNRISE, on the other
hand, is a main stream movie albeit one with a wonderfully fresh
approach.
Hawke is an American who speaks only English. It opens with him
listening to a couple arguing in German on a train from Hungary. He
wonders what they are talking about. As one who has traveled on trains
where I was constantly overhearing conversations in languages I knew
little of, this was so familiar. At any rate, he meets a French woman
(Delpy) who speaks excellent English and with whom he strikes up a
fascinating conversation.
They talk about everything as the script is written bright,
interesting, and extremely natural. Many lines were worth remembering.
When they are discussing the fighting German couple Delpy says she read
that as people get older men can no longer hear high notes and women
low notes, and this mean they lose their ability to communicate. Hawke
says that they are sort of canceling each other out and maybe nature
did this as a way to keep older married couples from killing each
other.
Hawke convinces Delpy to get off the train in Vienna with him and
spend the day and night with him wandering the city until his plane
leaves the next morning. The scene of him asking her to go with him is
precious. His logic is beautiful and his body language perfect. I
could see this scene again and again. The train part is the first 10
minutes of the movie, and the rest is their adventure in Vienna.
If you love trains and Vienna, as I do, this movie will be a
special treat for you. You get to see the Prater amusement park, the
Opera House, Demels coffee house, and many other landmarks, but the
movie is no travelogue; it is about conversations and romance. Notice,
I said romance as in infatuation and kissing. Whether anything more
transpires between them, you will have to see the show. The scenes
where they discuss how far to take their friendship that evening are
natural, honest, and a lot of fun to eavesdrop on. Through out the
show, I laughed out loud many times at the sort of natural things that
can happen in romantic conversation.
What would I change about the show? Almost nothing. I do think I
would have him lose that goatee. It was too 50s beatnik looking.
The acting was terrific. It was easy to identify with the
characters, and you certainly cared a lot about both of them. You
really wonder when you leave the show what are they doing now and then
you pinch yourself and remember that it was fiction. The largest
amount of credit has to go to the writer/director who was confident
enough of his script and cast to let the two leads just talk constantly
for the entire movie.
Copyright © 1995 Steve Rhodes