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All-Reviews.com Top 50 Songs*:
for the 4th week of December, 2002

*based on airplay at alternative, pop and rock radio stations a cross the nation (reviews by LarryG)

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(songs 1-25)

  1. Creed-Weathered    (unchanged)      buy it!
    The title track and fourth chart hit from the Weathered CD again shows Creeds gift for predictable, blandly catchy soaring arena rock. Creed frontman Scott Stapp is even more self pitying and self dramatizing than usual. Presumably referring to his critics, Stapp complains: slings and arrows are killing me inside. He feels alone and bemoans the fact that his love is met with indifference. Though sometimes I feel like giving up, Stapp finds solace in God and his instruction to take pride and leave it behind.

  2. Nivea-Don't Mess With My Man    (up 3 positions)      buy it!
    Don't Mess With My Man is from Nivea Hamilton's Nivea CD. Don't Mess With My Man is quite lightweight but it's also quite likable. Don't Mess With My Man features Jagged Edge's Brian and Brandon Casey. It's got the easy feel of Jagged Edge's Where The Party At and I find Don't Mess even more enjoyable. With a catchy doodle of a synth riff and a steady beat, Don't Mess With My Man goes by easily. Nivea's voice is pleaant but doesn't show much personality. The Caseys add a little flair with their amiably macho contribution. The lyrics don't go much beyond the title's threat except that the Caseys repeat them and change genders.

  3. Avril Lavigne-Im With You    (up 14 positions)      buy it!
    Avril Lavignes major label recording career is off to an incredible start with three #1 pop singles. Like its predecessors from the Let Go CD, Im With You always seemed destined for the top. Depending on who you believe Lavigne, a former Shania Twain wannabe, has succeeded by presenting a calculated image or presenting herself as is. Regardless, her music is good, especially for teen pop. Lavigne has established her cred with a rebellious but not weird image and songs that rock and are also catchy. The kids obviously dont think her wimpy for doing a fairly standard ballad. Im With You has many of the trappings of an easy listening hit. With fairly heavy strings and power chords and drums crashing in on the chorus, Im with You follows power ballad conventions. The verses are fairly drab and Lavignes voice is thin in patches. But Lavignes sincerity gives Im With You power. When she wails the title, Lavigne seems more real than the typical balladeer. Theres an appealing youthful openness to Im With Yous lyrics about being ready to unconditionally throw herself into a relationship with a special someone wholl find her, take her hand and end her loneliness.

  4. Sum 41-Still Waiting    (up 3 positions)      buy it!
    Sum 41's new CD is called Does This Look Infected? Sum 41 broke through with the youthful, poppy, punky hits from All Killer, No Filler CD. Still Waiting shows signs that the band is making the huge mistake of wanting to grow up and be taken seriously. Still Waiting's video reveals jealousy at the critical respect The Strokes receive. On Fat Lip, the band just demanded the chance to have a good, stupid time. Now they want us to believe that they're looking for "hope to believe" in a world full of hating. It seems clear that Sum 41 is best suited to make dopey, fun music and that's what people want from them. Still Waiting, with its attempt at lyrical significance and Derick Whibley's meaningful ranting, has an uncomfortable resemblance to the lesser work of The Offspring, whose music seems to get stupider the more they try to seem smart. Still Waiting does show benefits of Sum 41's new intensity. I don't love the darkness of the singing and Whibley and Dave Baksh's guitar but I do like that Still Waiting is fast, energetic and focused, without the foolishness that has made some of their music more cutesy than fun.

  5. Kelly Rowland-Stole    (down 1 position)      buy it!
    With Beyonce Knowles in Destiny's Child and Nelly on the hit Dilemma(which appears on Nellyville and Kelly Rowland's Simply Deep CD) Rowland has allowed her costar to get most of the attention. Rowland has the spotlight to herself on Simply Deep but continues her unassuming ways. On Stole, Rowland's vocal is decent and unshowy. Stole is smooth and well made though not particularly distinctive. Stole was written and produced by industry pros Steve Kipner(who worked on Olivia Newton John's Physical and Christina Aguilera's Genie In A Bottle and many other hits) and Sean Hosein and Dave Deviller(O-Town and 98 Degrees among others). Stole has an easy mood with good, subtle ringing and scratching effects and guitar matching the climactic line about "playing angry chords." Stole effectively layers Rowland's voice with good backup singing. Stole is the latest song to address school shootings. We find out the shooter was the brightest kid in school but he was bullied and put down and didn't fit in. Stole means well. It's not offensive(unless you're a grammarian troubled that she doesn't say stolen) but it's even less insightful than P.O.D.'s Youth Of The Nation because its invented mass killing doesn't feel real. Stole tells us that one victim "could have been a movie star" and another would have "had a try out with the Sixers", as if Columbine-type deaths are less tragic if their victims weren't destined for stardom.

  6. System Of A Down-Innervision    (unchanged)      buy it!
    Innervision is on Steal This Album, a collection of songs that didn't make System Of A Down's first two records. Innervision is good and similar enough that it would have fit on the Toxicity CD. Innervision has the great, bizarre energy of songs like that CD's title track. Guitar player Daron Malakian, bass player Shavo Odadjian and drummer John Dolmayan all play fast and hard and contribute to Innervision's exciting intensity. Singer Serj Tankian is, typically, so passionate that he almost seems possessed or insane, veering between crooning and shrieking. A lot of the fun of a SOAD song is following its twists. In its 2 minutes, Innervision shifts from speed metal to a hardcore bridge with Tankian ranting "It's never too late to reinvent the bicycle." Malakian appropriately shifts his guitar to a quiet, dreamy sound for Serj's epiphany("there is only one true path to life, the road that leads to all, leads to one.") then the song crunches to a conclusion. Malakian sings on Innervision about seeking the guidance of an unnamed spiritual source.

  7. Zwan-Honestly    (up 9 positions)      buy it!
    Three years after the release of Smashing Pumpkins last studio record, Billy Corgan is back with his new band Zwan, which also includes former members of Chavez and A Perfect Circle, and a CD called Mary Star Of The Sea. Not surprisingly, Honestly sounds like a Smashing Pumpkins song. Corgans voice will probably be distinctively whiny until the day he dies. But Corgans 35 now and Honestly has a bit of a grown up sound. Its a rocker, especially towards the end when Corgan plays an OK, showy solo. But Honestly has a good, open, leisurely feel. Honestly avoids the dense sound of many Pumpkins songs but it does remind me of the likable rocker Stand Inside Your Love, one of the Pumpkins last singles. I dont love the way Corgans guitar is processed to sound like a plane taking off but its low in the mix and doesnt interfere too much with Honestlys melodic quality. With ex-Pumpkin Jimmy Chamberlins good drumming, Honestly easily moves forward. Corgans vocal range is limited but hes mostly appealing warm as he sings that theres no place I could be without you. Honestly expresses ambivalence about a long time relationship but Corgan easily decides that he feels loved, that she means the best that life can bring and he doesnt want to wipe the memories aside.

  8. Camron-Hey Ma    (down 5 positions)      buy it!
    Oh Boy fell just short of the top 50. Hey Ma, the followup single from the Come Home With Me CD, is like lots of other songs but it clearly sounds like a hit. Hey Ma grabs you right from the start with the relaxed, inviting Hey ma, whats up interplay between Camron and Toya. The rest of the song isnt as appealing as that exchange but Hey Ma maintains an easy flow throughout. It initially seemed odd that Hey Ma uses a sample from Lionel Richies Easy but Camron is just the latest, following P Diddy, Irv Gotti and Ja Rule and all their associates, to hit the charts with hip hop mellow enough to deserve lite fm play. Juelz Santana and Camrons decent raps give Hey Ma a little intensity but dont do anything do disturb the smooth, safe vibe. Hey Ma is a series of stupid but mostly innocuous stories about hooking up with girls. The chorus tell us that mutual interest in fancy vehicles, drinking and getting high establishes a basis for getting it on tonight. Santana relates how a combination of youthful confidence and respect set up his chance to lay the pipe. Cam tells us his boo shares his love for Gucci and buys his rap that hes a changed man who no longer be sinnin. Hey Ma is fairly dopey but easy to listen to.

  9. Justin Timberlake-Cry Me A River    new to music chart      buy it!
    On Just Like I Love You, the first single from the N Sync pretty boys Justified CD, Justin Timberlakes worked too hard to show his urban cred and ended up with a slavish, fairly lame Michael Jackson imitation. The more relaxed Cry Me A River works better and is actually soulful. The production lets polished studio singers take over for large portions and move the song forward smoothly. Cry Me A River has a relaxed pace and a fairly uncluttered sound but its also scuffed up a little by a stuttering beat and synths that trumpet and dissolve into a draggy dissonance. Timberlakes singing is pretty innocuous on the verses but things improve when the backup singers help him out and when he reaches for an impassioned falsetto. Cry Me A Rivers lyric plays out the fantasy of many who have been taken advantage by a romantic partner. Timberlake gets to tell the woman who left him all alone, but is asking for him again, that its her time to cry.

  10. Tori Amos-A Sorta Fairytale    (up 2 positions)      buy it!
    Tori Amos had some mainstream radio success with songs like God, Silent All These Years and Crucify from her early solo CDs Under The Pink and Little Earthquakes. Recently, Amos' career has taken a slightly more obscure path, concluding with 2001's Strange Little Girls, her collection of songs originally done by guys. A Sorta Fairytale, supported by a bizarre video with an oddly poignant conclusion, is Amos' first hit in the four years we've been doing the All-Reviews top 50. A Sorta Fairytale, from Amos' Scarlet's Walk CD, is a nice reminder of Amos' gift for mixing melody, classicism and eccentricity. A Sorta Fairytale shows Amos' ability to subtly grab our attention. A Sorta Fairytale starts quietly with Amos' delicate piano playing and an effective, fairly inobtrusive drum machine beat. It builds a little on the chorus which has David Torn's good, simple guitar riff. A Sorta Fairytale also varies its subdued sound with a slightly brighter bridge. Amos sings slowly. Her vocal is restrained but her thoughtful, interesting personality still shines through. A Sorta Fairytale's sound matches its lyrics. Amos sadly relates how an apparent "life long thing" relationship was lost.

  11. The Wallflowers-When Youre On Top    (down 2 positions)      buy it!
    Jakob Dylans bands Bringing Down The Horse CD, which had the hit One Headlight, went multiplatinum. The Wallflowers success proved short lived. The Breach CD died after getting early radio interest, falling far short of its predecessors sales. When Youre On Top, off the Red Letter Days CD, is largely about wanting to get back with an ex but its also informed by Dylans new commercial reality. Dylans more modest expectations suit him on When Youre On Top. Jakob cant avoid that genetics and upbringing gave him a similar voice to dads. On When Youre On Top the resemblance in Dylans deliberate phrasing and nasal, slightly angry delivery suits him. Jakobs writing will never have the power of Bob Dylans best work but When Youre On Top is dense, rich and good. When Youre On Top is about being jaded and depressed. Bored by a life where hes making new friends but none of them matter, Dylan is looking for new experiences and a thought that I can believe in. Musically, When Youre On Top is a step in the right direction. In the past, The Wallflowers music has often been overly slick and shallow. When Youre On Top strips down the sound and finds a more interesting edge. The verses evoke disconnection, starting with no beat and a cold, throbbing synth then adding a stiff drum machine beat. The chorus is brighter and catchier but its restraint underlines Dylans theme that he feels fine and is doing better but not doing as well as when he was with the one he needs now more than ever.

  12. John Mayer-Your Body Is A Wonderland    (down 22 positions)      buy it!
    Your Body Is a Wonderland is the second chart hit from the Atlanta based singer/songwriter's Room For Squares CD. Like No Such Thing, Your Body Is a Wonderland is pleasant and almost proudly inconsequential. Unlike No Such Thing, where Mayer tried so hard for whimsical cheekiness, Your Body Is a Wonderland mostly keeps things nicely understated. His voice, in a tone not much more forceful than a whisper, effectively communicates the song's sly confidence. His guitar playing is also unassuming but pretty cool. Its only flourish is a short Steely Dan style riff towards the end. A skinny young white guy can't help but seem a little leering singing a song about pleasuring a lady but his admiration of a woman's looks is generally appealing. A bit too much bravado accompanies Mayer's promise to take a while making love and discovering a woman's body but he generally avoids the objectification that often accompanies songs complimenting the female shape.

  13. Nelly-Air Force Ones    new to music chart      buy it!
    Air Force Ones is the the third hit from the Nellyville CD. Taking four minutes to pay tribute to Nellys sneakers and endlessly repeating a not great record scratching riff, Nelly is proudly unambitious on Air Force Ones. Like much of Nellys music, Air Force Ones succeeds by staying relaxed and creating an irresistable groove. Nelly lets his buddies do most of the rapping. Most of them arent particularly impressive but Air Force Ones effectively keeps the raps coming one after another. As is often the case with Nellys music, what hes saying is less enjoyable than how he says it. Nelly and his posse test the patience of any listener whos not a Nike aficionado by detailing shoe sizes and favorite colors and making silly brags about only wearing a pair once then discarding it. I do like the cool way they pronounce pair as "par".

  14. Avril Levigne-Sk8er Boi    (down 6 positions)      buy it!
    Complicated was one of the biggest pop hits of 2002. The followup from the young Canadian's Let Go CD is another song that sounds like a hit on first listen. But Sk8er Boi isn't as novel or distinctive as Complicated. It's a standard pop rocker. Its central riff is stolen from last year's hit Flavor Of The Week. Sk8er Boi is unlikely to have Complicated's long chart life. Story songs soon become less interesting once you know how the story ends, especially when the story's not that great to start with. Sk8er Boi ends with Levigne taunting another about following the advice of her "stuck up" friends and blowing her chance to be with the guy who's now famous and going out with Levigne The presumably fictional lyric is obnoxious and less appealing than Complicated's tale of frustration. Still, Sk8er Boi's music is fast and fun. It has good energy and rocks harder than any of the hits by Levigne's rivals for the teen audience. And it's not the worst thing that North American girls have taken the confident, straight forward Levigne as a role model.

  15. Justin Timberlake-Like I Love You    (down 5 positions)      buy it!
    The first single from teen pop's top hunkshows that Justin Timberlake can be successful outside N Sync but fails to show that he's developing a distinctive musical personality. On record and especially in the video, Like I Love You seems to be a Michael Jackson tribute. Timberlake mimics Jackson's look and moves but he doesn't have the gloved one's visual or vocal presence. Like I Love You, from the Justified CD, is apparently intended to introduce an adult, urban image for Timberlake. Timberlake does OK with the Jacko-like falsetto parts. Hovever, Like I Love You's spoken, tough guy parts are, if not quite ridiculous, a little silly, though his young fans undoubtedly find them cool and sexy. Otherwise, Timberlake's vocal is uninteresting but amiable, floating nearly unnoticably along with the beat. The Neptunes do their usual competent production. Like I Love You basically works as disposable dance pop. It's got a good crisp beat and a decent repeated guitar based riff. Like I Love You isn't helped by the Neptunes trademark beeping effects, which have almost always been annoying and now are annoying and cliched. The Neptunes try to give the very white Justin some edge by including a rap from Clipse(who happen to have the first record released by the Neptunes' new label). Clipse's rap doesn't work as well as Nelly's on N Sync's fun Girlfriend remix. It's pretty drab with cocky come ons("grab a friend, see I can have fun with two") that don't mesh with Timberlake's more polite approach. Like I Love You's lyric is mostly an inoffensive attempt to charm a woman and get her to drop "your front face" though the effort to be simultaneously tough and respectful results in some stinker lines like "you're a good girl and that's what make me trust ya."

  16. David Gray-The Other Side    (up 6 positions)      buy it!
    Its to his credit that David Gray hasnt tried to follow the huge, surprising success of his White Ladder CD and the Babylon single with a big, flashy sound. The Other Side, from Grays A New Day At Midnight CD, doesnt veer from White Ladders basic, minimal sound. Large portions of The Other Side are just Grays subdued voice and his simple piano. Even when the drum machine beat comes in, the sound remains restrained. The downbeat sound matches The Other Sides sad lyric. The Other Side, like much of White Ladder, is about romantic disappointment. Admitting that I still dont know what love is, Gray is painfully self critical. Hes unable to be courageous and offer you my hand, pull you up onto dry land, when all I got is sinking sand. Grays unsentimentalized melancholy is somewhat fascinating and The Other Side maintains a perverse integrity by being an intentionally uncommercial single. But The Other Side is basically uninteresting and a little drab. It certainly doesnt do anything to change the perception of Gray as a one hit wonder.

  17. U2-Electrical Storm    (down 3 positions)      buy it!
    Electrical Storm is one of two new songs on U2's Best of 1990-2000 CD. Not so long ago, U2's work from the second half of their career didn't seem particularly worthy of a greatest hits set. Then the band refocused their energy and put out All That You Can't Leave Behind, which included thoughtful, musically rich singles which should be memorable years from now. Electrical Storm isn't quite on the level of Beautiful Day or Walk On. With a melody similar to Zooropa's Stay and guitar lines like the ones The Edge played on Walk On, Electrical Storm feels a bit rehashed. Still, Electrical Storm has the depth of sound and feeling of U2's best work. William Orbit worked on Electrical Storm instead of usual U2 producers Brian Eno and Daniel Lanois. Orbit fills out the sound with keyboards that at times are like something from a bad sci-fi movie soundtrack but he's generally respectful of the classic U2 sound. Even if it's familiar, The Edge's playing still creates big, poignant atmosphere. He easily segues between ringing lines on the verse and thick, powerful work on the chorus. It isn't Bono's most exciting vocal but he admirably projects hope while keeping his naturally supple voice under control and restrained.. On Electrical Storm, Bono plays a distant, guilty("you're in my mind all the time, I know that's not enough") man confident that a relationship that's been dogged by bad luck will be repaired by "love and only love", allowing them to see colors and places "that have never been seen.".

  18. Jack Johnson-Bubble Toes    (unchanged)      buy it!
    Bubble Toes is the second chart hit from the former surfing champ's Brushfire Fairytales CD. Johnson's Flake was pretty whimsical and Bubble Toes ups the whimsy level to the point where cutesy is a better description. I also have a problem since Bubble Toes' cocky white boy flow of words reminds me of the Brenda & Eddie parts of Billy Joel's Scenes From An Italian Restaurant. Still, Johnson is genuinely appealing. His singing is unpretentious with a light, easy flow that allows Johnson to pull off Bubble Toes' goofy la da da da da das. Bubble Toes is a tribute to the woman he loves whose "beauty will follow wherever she goes" and to himself for the charm she eventually won't be able to resist.

  19. Tracy Chapman-You're The One    (unchanged)      buy it!
    On her self titled 1988 debut CD, Tracy Chapman was a striking new talent making music that was political and personal. She seemed to have the potential to move folk music in exciting new directions. Chapman has since made pleasant, thoughtful music but the deeper she gets into career, the more her work leaves the impression of unfulfilled potential. You're The One, from the Let It Rain CD, has a sweet Chapman vocal and a nice, positive feel but it's so lightweight and unambitious it's barely noticable. I assume Chapman is trying to pare her music to its essentials but she's also pared away what can be interesting about her writing and music. You're The One's lyric is charming. Chapman promises to stand by a lover who others say is crazy, uncouth and no good.

  20. O-Town-These Are The Days    (down 5 positions)      buy it!
    Backstreet Boys' success has apparently plummeted and N Sync is on hiatus as members put out solo records or tried to go into space. So O-Town, which was put together for the Making The Band TV show, is currently the top boy group around. O-Town's members are claiming that on the O2 CD, they're more in control of their own music and presenting a more distinctive sound. There's little sign of that on These Are The Days. These Are The Days was written by veteran pop music hack Steve Kipner. The only thing new about it is that instead of doing a squeaky clean, bland copy of an N Sync song, for much of These Are The Days, O-Town imitate a bland Bon Jovi ballad. It opens with Jacob Underwood doing a tight throated Jon Bon Jovi impersonation. Later on, These Are The Days more closely resembles typical boy group fare as a sing along chorus repeats over soaring and string effects. These Are The Days is basically inoffensive and it works OK as background music. Shep Crawford's production, with vague synths and a lame drum machine beat, is polished but innocuous. These Are The Days' lyrics allow an O-Town fan to imagine herself as saving her hero. These Are The Days' character is lonely, stuck in a place without love and trying to prepare himself for another chance.

  21. Jimmy Eat World-A Praise Chorus    (unchanged)      buy it!
    The fun, exuberant songs keep coming from the year and a half old Bleed American CD. A Praise Chorus, the third chart hit is faster and even less subtle than Bleed Americans last two singles, using a scratchy, stuttering guitar sound like The Middles. A Praise Chorus is just fast, straight ahead rock that doesnt let Zach Linds beat, Rick Burchs bass or Jim Adkins and Tom Lintons guitars stop for a second. Its nearly as hard to resist as Jimmy Eat Worlds other hits. A Praise Chorus is an exhortation to make a move and stop standing in the back, looking around. A Praise Chorus also pays tribute to the power of music, throwing in pieces of Madness Our House, They Might Be Giants Dont Lets Start and, most obviously Tommy James Crimson And Clover. I admit that I underestimated Bleed American when it first came out but Ive been gradually won over by Jimmy Eat Worlds intense but upbeat and positive sound.

  22. Creed-One Last Breath    (down 9 positions)      buy it!
    I should know by now not to underestimate Creed. I figured, after My Sacrifice fell off the chart quicker than the hits from Creed's Human Clay's CD, that people might be getting tired of Creed's bloated, ultraserious sound. In fact, while it won't have Higher or With Arms Wide Open's longevity, One Last Breath is Creed's first #1 song. Radio still loves their generic, soaring, meaningful sounding music. On One Last Breath, Scott Stapp admits he's screwed up and doesn't show the self righteous arrogance he has on previous hits. His clenched fist intensity is still way too much. One Last Breath, the third chart hit from the Weathered CD, starts O.K. Stapp sings with just a quiet guitar and then a subdued guitar, drums and strings. Inevitably, the sound intensifies and any subtlety is bludgeoned by heavy rock guitars and drums and Stapp's pained howl. Stapp uses his big, melodramatic imagery to say how bad life's become. He's close to the edge and "I think I'm falling." He's cried out to heaven "save me" but this time he's apparently looking for help from a woman not God.

  23. The Used-The Taste Of Ink    (unchanged)      buy it!
    The Taste Of Ink is from the self titled debut CD by the band from Orem, Utah. The New York Times' Kelefa Sanneh put The Used at the top of her list of the best non-mainstream CDs of 2002. I haven't heard the whole CD but, based on Taste Of Ink, it's hard to believe that The Used is that exceptional. It sounds like lots of 80s post punk music. I do like The Taste Of Ink. It's good, tight rock that gets good edge from Bert McCracken's screaming himself hoarse intensity and Quinn Allman's compact, stomping guitar line. McCracken, who's probably best known as Kelly Osborne's boyfriend, sings on Taste Of Ink about tolerating a miserable present for a "chance to break out" of a town he couldn't take much longer.

  24. Bruce Springsteen & The E Street Band-Lonesome Day    (down 4 positions)      buy it!
    Bruce Springsteen's The Rising is a CD of varying quality. The music isn't always that interesting and sometimes Bruce's writing is too empty or cliched to provide the meaning he clearly seeks. But The Rising is mostly good and it often achieves a comforting, healing feel. 9/11 related imagery lurks throughout The Rising. The title track doesn't specifically cite 9/11 but its story of overcoming devastating circumstances, like much of The Rising, has that day and its aftermath in mind. Sometimes the quest for significance seems overreaching. Lonesome Day is first about trying to move on after being surprised when a woman he thought he "knew everything I needed to know about" leaves. Next thing you know, Bruce sings that the "house is on fire" and a "dark sun's on the rise" and suggests a need for revenge. Lonesome Day's lyrics may be murky but, as is often the case, Bruce's music and The E Street Band's playing suggest meaning deeper than provided by the words. The music brilliantly evoke sadness and rebirth. As the Lonesome Day moves at a cautious pace, Bruce's strong, ungimmicky vocal and Max Weinberg's solid whacks create a majestic, optimistic feel. That hopeful feeling is further bolstered by Roy Bittan and Danny Federici's nice, subtle keyboards, Clarence Clemons' brief, familiar solo and the good "it's alright" fadeout backing vocals. Lonesome Day's spare, uplifting sound brings to mind a good middle period song from John Mellancamp, one of Bruce's many disciples. It also has a sound that's right for an artist seeking a mature voice and meaning in a troubled time.

  25. Madonna-Die Another Day    (down 14 positions)      buy it!
    James Bond films long ago lost their originality and flair and became a series of flashy, unmemorable moneymakers.Appropriately, the theme song from the new one, Die Another Day, is functional, competent, a bit stylish and insignificant. Die Another Day soundtrack sounds like it was slapped together in a hurry between Madonnas other projects. It was also Madonna an opportunity to make people forget the terrible reviews she got for Swept Away and work in the medium(music video) where she doesnt have to talk and does her best acting. Madonna wrote and produced Die Another Day with Mirwais Ahmadzai, who also worked on the Music CD. Die Another Day, like Musics title track, is a repetitive sketch thats mostly about beat and synth effects. Die Another Day doesnt go have as many shiny beeps as Music and its not as intent on evoking the golden age of disco. Die Another Day sounds like a remix distilled from a more substantial source but, to my knowledge, this is all there is. With its string effects, edgy electronics and breaks in the beat for Madonna to intone something defiant, Die Another Day tries for theatrical intensity. The attempt is silly and annoying. Its both overdone and completely lacking in substance. Still, as insignificant dance music, Die Another Day basically does the job with a sleek, catchy sound. Mirwais gave it a good, crisp beat. Presented straight, Madonnas singing is affected and unmelodic but Mirwais smartly plays with it, giving it a metallic edge that matches the musics icy, dramatic feel. Die Another Day has a dopey, empty lyric that the latest James Bond film with an innocuous, vaguely threatening title and extensive commercial tie ins probably deserves. Ridiculously, Madonna claims Im gonna avoid the cliches as she spews inanities like Im gonna shake up the system, a time to work, a time to play and, inevitably, its not my time to go.

Songs 1-25


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