"The Faculty," the heavily-hyped and advertised sci-fi/horror film that
has teamed up director Robert Rodriguez (1995's "Desperado" and 1996's
"From Dusk Till Dawn") and screenwriter Kevin Williamson (1996's
"Scream" and 1997's "Scream 2"), is being called a cross between
"Invasion of the Body Snatchers" and "The Breakfast Club," and I don't
think I could describe it any better than that.
The film sets up the six central teenage characters who do not seem to
have much in common, and then the science-fiction aspect is added,
involving the fear that the faculty at Herrington High School are
actually aliens who are quickly transforming everyone in the town. The
six characters, as in "The Breakfast Club," can be easily labeled as a
stereotype, but as they are developed, they become far more complex:
Casey (Elijah Wood), the much picked upon nerd; Stokely (Clea DuVall), a
goth outcast who hides behind the false facade of being a lesbian so
everyone will avoid her; Zeke (Josh Hartnett), a drug dealer who turns
out to be a science whiz; Stan (Shawn Hatosy), the star football
quarterback who is considering quitting the team to concentrate more on
academics; Delilah (Jordanna Brewster), the popular cheerleader and
newspaper journalist; and Marybeth (Laura Harris), the sweet 'n southern
new girl in town. Although the characters are only slightly connected
(i.e. Casey is Delilah's photojournalist assistant; Marybeth tries to
become buddies with Stokely, since they both don't have friends, etc.),
when they all begin to suspect the teachers due to some grotesque and
strange occurrences, the only people they can count on for help is each
other, even though they aren't really even sure if they can trust one
another.
"The Faculty" is another smart and pop-culturally hip film from
Williamson, although it does not equal up to his best film, the original
"Scream," and Rodriguez, whose "From Dusk Till Dawn" is still one of the
more original genre films of the 90's. Williamson and Rodriguez are so
assured at their professions, respectively, that the idea of teaming up
together is pretty much a no-brainer. The plotline of "The Faculty,"
involving aliens taking over other people's bodies, has been done quite
a lot before, from "Invasion of the Body Snatchers," to "The Puppet
Masters," to "Invaders from Mars," so one of the obstacles that
Williamson and Rodriguez had to overcome was to somehow make the idea
seem fresh, and by setting the goings-on at a high school and having the
protagonists be a group of teens, they were mostly successful. Surely,
the conventions of the story are still the same, and the climax was
inevitable, but there were a few surprises along the way, including the
question of who were the aliens, and who weren't. The epilogue was also
a refreshing change-of-pace as it did not set up a sequel but ended on a
note that probably could not have been any better.
The performances in "The Faculty" were a treat throughout, since there
were so many recognizable actors in roles that were the polar opposite
of what they usually do. One exception were the teens, who, aside from
Elijah Wood, are not very well-known, but they all aquit themselves
nicely, particularly Wood (the seasoned pro), Clea DuVall, and Jordanna
Brewster. As members of the faculty, Robert Patrick ("T2: Judgement
Day") was creepy as the gym coach; Piper Laurie was amusing and
threatening as the drama teacher; Bebe Neuwirth actually was somehow
able to look like an alien; and Salma Hayek, as the school nurse with a
bad case of the cold, was very funny in a small role. The standout, in
my opinion, of the whole cast was Famke Janssen who turns in an oddly
touching performance as the shy and meek english teacher who, after
turning into an alien, becomes the sex bombshell. If there was any
problem I had with the faculty, it was that some of them were given no
real payoff in the climactic sequence. Since the teenagers realize that
in order to save everyone they must kill the "Queen" alien, many of the
faculty members disappear. It might have been more fun if they had to
face every one of the teachers, although the finale is still pretty
impressive, and includes some showstopping creature effects, especially
for a relatively low 15-million-dollar budget.
Although not one of the best horror or science-fiction films I have
seen, "The Faculty" is still an exciting and worthy film that Dimension
Films was smart to release around the Holiday Season when this type of
genre offering is usually not released. While the story is as old as the
hills, it is also, in a way, timeless, because everyone, I think, has
suspected at one time or another that a certain person simply did not
act right, as if they really weren't human. And by putting this idea in
the setting of a small-town high school, it perfectly contrasts with the
alienation that most teenagers usually go through when relating to
adults and other peers.
+ Note: The ad and poster campaign for this film is hugely misleading,
as it features R & B artist Usher Raymond as one of the main characters.
In actuality, he only has a small role as one of Stan's buddies who
becomes quarterback after Stan resigns from the team. If I were one of
the heads from Dimension, I would change this advertising at once, since
it is unnecessary and rather deceiving.
Dustin
Putman's Film Reviews
Copyright © 2000 Dustin Putman