In contrast, Arnold's small kitchen provides just enough room for him to quickly woof down a bowl of cereal before he is off on the bus to work. (Wayne drives a beautiful new Lexus, while his wife has a couple-of-year old Mercedes. No public transportation for them.) Later we will find that Arnold is actually unemployed and that, as he puts it, he and his wife, who stay with her father, live in "a household of disappointment." Arnold has recently found work. He has been hired by a group of criminals to kidnap Wayne and bring him to them. When Arnold's work is done, he and his wife can move to "some place warm."

We've all seen a lot kidnapping thrillers -- it's a well worn genre -- but none like THE CLEARING, which is as much a character study as it is a mystery. Although it is a relatively short movie, running just an hour and a half, director Pieter Jan Brugge sets a very methodical, leisurely pace with many an eerie silence to punctuate the tale. As soon as Eileen realizes what has happened and a small FBI team led by Agent Fuller (Matt Craven) has set up residence in her house, she freezes like a deer caught in the headlights. But, she is used to coping, after years of having a husband who traveled the globe and who had an affair, so she keeps the household going, even insisting on hosting a small birthday party for her year-old grandson. But the small smile she has pasted to her face clearly masks the hurt she is feeling.

The movie is constructed out of two parallel stories. In one, Wayne and Arnold trudge their way deep into the mountainous woods in order to reach a very remote cabin, so that Arnold can collect his fee and flee. Meanwhile back at Hayes house, Eileen, her two adult kids and the FBI plan strategy on how to deal with the kidnappers. Remarkably, Arnold and Agent Fuller share similar personality traits in that they are quiet and polite, exceedingly polite in Arnold's case, which is strange for someone in his new line of work. The evolving relationship between Arnold and Wayne is probably the best part of the picture, but Mirren's performance is one of her best ever. Unlike RAISING HELEN, which wasted her talents, THE CLEARING gets maximum benefit from Mirren's underplayed but mesmerizing piece of acting.

As the movie gets to its conclusion, it isn't clear how everything will be resolved. You'll be with it every second and intrigued to its last, carefully constructed frame.

THE CLEARING runs 1:31. It is rated R for "brief strong language" and would be acceptable for kids around 12 and up.