"13 Going on 30," which aspires to be a female version of "Big" but
never quite lives up to the depth and memorability of that 1988 classic,
is, nonetheless, an undeniably entertaining cotton-candy conf ection.
Much of the credit deserves to be placed upon Jennifer Garner (2003's
"Daredevil"), so effervescent and endearing as she plays a 13-year-old
in a 30-year-old's body that it is hard to believe this is her first
toplining screen role. Look out, the Reese Witherspoon's and Julia
Roberts' of Hollywood; there's a new star in town who is about to hit it big.
The time is 1987, and 13-year-old Jenna Rink (bright newcomer Christa
B. Allen) is suffering through the embarrassments of middle school,
yearning without much success to fit in with the popular clique of
girls, led by snobby Tom-Tom (Alexandra Kyle), while looking from
the outside in with best friend Matt (Jack Salvatore Jr.). When a
misunderstanding with Matt leads to a falling-out on her birthday,
Jenna uses a packet of wishing dust to make a plea that she be "thirty,
flirty, and thriving." Much to her fear and amazement, the wish comes true.
A now-adult and curvy Jenna (Jennifer Garner) awakes in a spacious
Manhattan apartment to discover that she now has a lunkhead boyfriend,
Glenn (Maz Jobrani), and is magazine editor for trendy fashion magazine
"Poise." Best friends with coworker Tom-Tom, who now goes by Lucy
(Judy Greer), Jenna doesn't like what she learns she has become: a
bitch who ruthlessly steals story ideas from a rival publication and
fires people at the drop of a hat. Jenna tracks down Matt (Mark Ruffalo),
now a photographer engaged to be married, who explains that they haven't
talked to each other in seventeen years. As she tries to make up for
lost time and right the things she has wronged, Jenna finds herself
realizing Matt is her one true love—a destiny she may have lost forever.
Directed by Gary Winick (2002's "Tadpole"), "13 Going on 30" brings
nothing new to the recently resurgent "body-swapping" genre and generally
plays things safely. If you've seen the trailer and TV ads for the
fi lm, then you know exactly what to expect. At the same time, there
is a comfort with watching "13 Going on 30" because, although few
plot developments come as a surprise, the movie proves to be in good
hands right from the start. The ten-minute prologue set in 1987 gets
the era and angst of being a teenager just right, aided immeasurably
by a nostalgic waves of '80s pop hits that carry straight through
into the present-day story ("Love is a Battlefield" by Pat Benatar,
"Jessie's Girl" by Rick Springfield, and "Thriller" by Michael Jackson
Once the clock moves forward to 2004 and Jenna wakes to a world she
doesn't know, Jennifer Garner must carry the film almost solely on
her shoulders, something she is more than capable of. The role of
Jenna, who is still a teen even though she may look thirty, is tricky,
indeed, and Garner is superb in ratcheting up honest humor out of
the situation without going overboard and getting too cutesy. Underneath
the comedy, how ever, is something far more poignant and touchy, as
Garner must deal with the realization that the unsavory person she
has become is not at all who she is at heart. As the adult Matt, Mark
Ruffalo (2003's "In the Cut") may just be playing the obvious romantic
part of "the guy," but he does it extremely well, particularly when
asked to face the internal wounds of the past, when Jenna abandoned
him for a group of shallow friends and never looked back.
Kudos should also go out to a screenplay by Josh Goldsmith and Cathy
Yuspa that never exaggerates or stereotypes the evolution of a character
who has aged seventeen years. Lucy, for example, played by the underrated
Judy Greer (2002's "Adaptation"), was a bad apple as a child and still
has some of the same back-stabbing characteristics as an adult, but
it is rarely overplayed and she is never treate d as an outright monster.
If the overall premise is handled with honesty and wit, the script
does flounder by missing a great many opportunities for Jenna to react
to the advanced technology that goes along with waking up two decades
later. Save for one running joke with cell phones (when Jenna hears
musical rings while on the streets of New York City, she thinks she
is going crazy), little is done with this potential comic goldmine.
The final scenes, while simple and gratifying, also might have benefited
had they not arrived so abruptly; a few storylines are left dangling
in director Gary Winick's rush to get to the end credits.
If "13 Going on 30" pales next to "Big" (a warranted comparison),
it is a worthy enough successor that should satisfy a wide audience
in search of a heartfelt comedy that avoids laying its sentimentality
on too thick. Best of all is Jennifer Garner, who steals her every
scene without even trying as she inhabits a memorable role one cannot
help but fal l in love with. "13 Going on 30" is undemanding, featherweight
fare, but it is genuine and engaging enough to overcome its more commonplace aspects.
Copyright © 2004 Dustin Putman