Most remakes arrive several decades after their predecessors only
to, nine times out of ten, remind the viewer why the film shouldn't
have been visited again in the first place. However, Alejandro Amenabar's
freaky 1997 Spanish-language thriller, "Open Your Eyes," was such
a visionary, timeless achievement that it immediately attracted the
eyes of writer-director Cameron Crowe (2000's "Almost Famous") and
Tom Cruise (2000's "Mission: Impossible 2"). Now, only two years since
"Open Your Eyes" was released stateside, comes "Vanilla Sky," a faithful
adaptation (star Penelope Cruz even reprises her role here) with one
key difference: it replaces the cold, sterile atmosphere of the original
with a delicate warmth and unforced emotion that miraculously makes
the movie all the more profound.
As the picture opens, David Aames (Tom Cruise) wakes up, gets dressed,
and begins his drive to work, only to discover the streets of Manhattan,
including Times Square, are ominously vacant of human life. This is
quickly exposed to be a dream, as he relays it to a friendly psychologist
(Kurt Russell). In reality, David is a high-powered stock owner of
a publishing firm whose experience with women has been nothing but
one meaningless sexual encounter after the next.
Currently "seeing" Julie Gianni (Cameron Diaz), David's entire outlook
on relationships change with his meeting of the entrancing Sofia (Penelope
Cruz). After spending a life-changing night together of nothing more
than conversation and fun, David leaves Sofia's apartment knowing
full well that he is in love. Filled with jealousy and confusion,
Julie doesn't see it quite that way, and drives them off a bridge
together in a suicide mission. Julie is killed, but David, who sees
his physical appearance as his greatest asset, survives, albeit with
a deformed, reconstructed face. As the disturbed David attempts to
piece his life back together, he finds himself falling deeper and
deeper into a frightening hole where he can't tell what is real and
what is merely a dream. Or is it either?
A motion picture that only grows more enrapturing with each passing
minute, the stunning visceral impact of "Vanilla Sky" is not weakened
in the least by comparisons with "Open Your Eyes," a respectable feature
in itself that, nonetheless, lacked the depth of character found here.
With an increasingly twisty, enigmatic narrative, the film is, at
once, a romance, drama, thriller, science-fiction, horror, and even
downright Lynchian. Director Cameron Crowe, whose "Almost Famous"
was one of the best of 2000, has created his most stunning work to
date--a movie so truthful, multidimensional, and emotionally stirring
as to prove utterly unshakable.
In adapting Amenabar's screenplay for this American retelling, Crowe
has strengthened the premise with extra layers (the underlying themes
of music, art, and film is an unexpected addition), and made the character
more sympathetic and affectionate. In doing so, honest glimpses of
human nature and the remarkably similar climax take on entirely different
meanings, replacing what was merely a neat surprise in "Open Your
Eyes" with what could now only be described as heartbreaking.
Tom Cruise brings a lot of extra baggage to the roles he plays because
you can't be one of the biggest movie stars in the world and always
be believable as an entirely different character. Because Cruise has
to work harder as a result of this minor acting crutch, his portrayal
of David Aames feels all the more impressive. Starting off as a nice,
but shallow, man more involved with himself that with any woman, the
moral journey he takes is one of rare insight and accuracy, and Cruise
is up for each and every challenge put in front of him.
Reprising her role of Sofia in "Open Your Eyes," Penelope Cruz (2001's
"Blow") has finally made good on the buzz surrounding her since she
started working in American films. Cruz is the standout, deeply affecting
and filled with so much life that one has no trouble in seeing what
people find so mesmerizing about Sofia.
Rarely does romantic chemistry work as well as it does in Crowe's
movies (i.e. Tom Cruise and Renee Zellweger in 1996's "Jerry Maguire"),
and Cruise and Cruz are no exception. Their beautifully evolving relationship
is the aspect of the story we connect most closely with, and Cruise
and Cruz do not let us down.
Turning in vivid supporting work, Cameron Diaz (2000's "Charlie's
Angels") has a tighter, more humane grip on Julie than actress Najwa
Nimri did in "Open Your Eyes." In her pivotal car sequence with David,
Diaz successfully conveys the severe hurt and bewilderment of Julie's
psyche. Kurt Russell (2001's "3000 Miles to Graceland") makes for
an amicable, caring psychologist trying to unravel David's plight.
Crowe, a great lover of music, doesn't let us down in the soundtrack
department, either. His track list, which includes Paul McCartney,
Bob Dylan, The Beach Boys, Red House Painters, Radiohead, and The
Chemical Brothers, is superbly chosen with nary a wrong step in sight.
With lush cinematography by John Toll (1998's "The Thin Red Line")
that paints the autumn and winter seasons of New York City with a
dreamlike artistry, "Vanilla Sky," which acquires its curious title
from a painting hanging in David's home, is a ravishing stunner that
never loses its way once--a particular triumph for such a labyrinthine
movie concept. The fine line between dreams and reality is stirring,
to say the least, reminding one of their own experiences in a similar
state of sleep. At its core is a film about life's natural process,
including the unfair occurrences that put a curve ball in people's
plans for themselves and those around them. The implications of such,
so brilliantly brought to life in "Vanilla Sky," are unbearably tragic.
Copyright © 2001 Dustin Putman