There are occasional signs throughout "Igby Goes Down" that it is
in the hands of a first-time filmmaker--in this case, writer-director
Burr Steers. There are some rough transitions between scenes, other
scenes (mostly in the first half-hour) that do not go anywhere, and
a less-than-graceful use of sparse flashbacks. The delectably literate
screenplay and a string of unusually nuanced performances, however,
strongly suggest otherwise. For Steers, "Igby Goes Down" is an unmistakable
accomplishment, a darkly comic and touching coming-of-age film that
is sometimes messy, but has a keen understanding that real life is
often the exact same way.
The picture slyly sneaks up on you. For the opening thirty minutes,
it is understandable to question where exactly the movie is going.
The random flashbacks at the onset do not have the sort of effectiveness
Steers might have been going for because we are immediately asked
to get involved in a family's dysfunction when we have not properly
met them in the present day. There is also an episodic nature to other
early moments, as 17-year-old Igby (Kieran Culkin), a disaffected,
misunderstood youth, does everything in his power to be kicked out
of one high-profile school after the next. Born into a privileged
life but consistently rebelling against the norm, he is an embarrassment
to his snooty, domineering mother, Mimi (Susan Sarandon), and straight-arrow
older brother Oliver (Ryan Phillippe). Igby also has a father, Jason
(Bill Pullman), now a resident at a mental institution following a
nervous breakdown who has been out of the picture since his childhood.
With the appearance of two more key characters, "Igby Goes Down" has
a sudden transformation from a seemingly aimless slice-of-life into
a sharply focused and genuinely enthralling one. Off to yet another
affluent military school that Mimi insists he attend, Igby makes a
sudden detour to New York City and hides out in a loft rented by Rachel
(Amanda Peet), the sometime-mistress of Igby's godfather, G.H. (Jeff
Goldblum). He also meets, and is immediately smitten by, Sookie Sapperstein
(Claire Danes), a sophisticated, slightly older Bennington student
who talks as if she has the whole world figured out, but is just as
confused as he. Sookie likes Igby, too, mainly because she thinks
he's "funny," but their romance is cut short with the unwelcome appearance of Oliver.
One of the most appreciative qualities "Igby Goes Down" exhibits is
an avoidance of tying the plot and characters into neat, tidy bows
by the conclusion. People come in and out of the film without warning,
as actual people do in the real world, and there are no easy answers
or solutions to soothe their individual hardships. At the center of
it all is Igby--clearly modeled after Holden Caulfield in J.D. Salinger's
brilliant novel "The Catcher in the Rye"--who hides behind sarcasm
as a way of dealing with his inutterable confusion to what he wants
and where he is going in life. It is never clear if the alienation
and contempt he feels for his family has grown from his inability
to understand them, or from just not wanting to.
In the emotionally demanding title role, Kieran Culkin (2002's "The
Dangerous Lives of Altar Boys") gives an eye-openingly brilliant performance
that stands, easily, as one of the best of the year. He carries the
entire film, and is vital in turning the difficult Igby into an accessibly
sympathetic, three-dimensional protagonist.
Culkin is ably supported by a top-notch supporting cast that brings
the rest of the ensemble to life. In a gratifying return to the big
screen after a three-year absence, Claire Danes (1999's "Brokedown
Palace") is simply incendiary as Igby's radiant object of desire,
Sookie Sapperstein. In many ways, Sookie is just as unforgettable
and complicated a character as Igby, as it becomes increasingly obvious
she is less self-assured than she outwardly carries herself. Danes
does wonders with this marvelously realized part.
Amanda Peet (2002's "Changing Lanes") is another standout, blessed
with many great scenes as her Rachel is subtly revealed to have far
more problems than she initially projects. Susan Sarandon (2002's
"The Banger Sisters") goes against-type to indelibly play Mimi as
a selfish shrew who cares more about her reputation than her own children,
coming close several times to an epiphany she never quite reaches.
As Igby's mentally ill father, Bill Pullman (2000's "Lucky Numbers")
is insufferably tragic with only a few minutes of screen time. As
is usually the case with any movie he appears in, Ryan Phillippe (2001's
"Gosford Park") is the sole weak link. Phillippe is a blandly vacant
actor that almost always rubs me the wrong way, and his turn here is no exception.
Unlike the majority of motion pictures that get off to a rousing start
only to sputter out by the finale, "Igby Goes Down" only gets better
as it goes. As uneven as the first act is, the third act is just as
remarkable. Through the course of Igby's journey, he is never offered
any comforting solace as to where the rest of his life is going to
take him, and there is an undeniable richness in the way director
Burr Steers says this without feeling the need to spell it out. The
concluding moments, scored to Travis' cover of The Band's classic
song, "The Weight," are, especially, unexpectedly powerful, and director
Steers rightfully earns every one of them.
Copyright © 2002 Dustin Putman