Tell me if this sounds familiar. Claire Kubik (Ashley Judd) is a successful
San Francisco-based attorney happily married to Tom (Jim Caviezel),
until he is abruptly arrested by F.B.I. agents and sent to a military
prison. Claire is horrified to find out that his name isn't really
Tom, but Ron Chapman, and he is being accused of brutally murdering
nine people in a Salvadoran village in 1988. Under the strict laws
of the military, if he is proven guilty he will be sentenced to death.
Tom/Ron is adamant that he has been set up, so the trusting Claire
decides to represent him in the impending trial. Enlisting the help
of recovering alcoholic Charlie Grimes (Morgan Freeman), who is said
to be the best lawyer in town, Claire is determined to go up against
the military court system and prove her husband's innocence.
"High Crimes," uncreatively directed by Carl Franklin (1998's "One
True Thing"), is a strictly paint-by-numbers courtroom thriller that
would be utterly disposable if not for the talents of Ashley Judd
(2001's "Someone Like You") and Morgan Freeman (2001's "Along Came
a Spider"). They work hard at developing their characters beyond the
cliched perimeters of the screenplay, written by Yuri Zeltser and
Cary Bickley, but it is all for naught. The story is, indeed, so banal
that even their finely tuned performances fail to bring light to the proceedings.
Knowing that Zeltser has only been involved in direct-to-video fare
until now, and Bickley's sole other screenwriting credit is for 1992's
"The Gun in Betty Lou's Handbag" should give you an idea of how distinguished
"High Crimes" is. It is one of those movies that spends a painstakingly
long time setting up its participants and their plight (which, by
the way, is tedious at best), only to pull the rug out from under
everything we have already learned just to add a twist ending. As
long as the ending zinger is based on tightly wound evidence, as it
was in 1999's "The Sixth Sense," then more power to the filmmakers
for fooling the audience. However, if it is done just for the sake
of doing it and without any regard for the intelligence of its audience,
as it is in "High Crimes," then it just makes you feel like a fool for wasting your time.
Ashley Judd, so brilliant in her debut picture, 1993's "Ruby in Paradise,"
is treading the same water here as she was in 1999's "Double Jeopardy"
and 1997's "Kiss the Girls," co-starring Freeman. Judd is usually
a pretty smart businesswoman when it comes to choosing the roles she
takes, and "High Crimes" is not going to stand as one of her finest
hours. The same can be said for Morgan Freeman, in more or less the
same part as he always play. Director Carl Franklin's idea of subtlety
in portraying Freeman's character's alcoholism is by sharply focusing
in on the liquor glass every time he picks it up.
Jim Caviezel, also a strong presence in 1998's "The Thin Red Line"
and 2001's "Angel Eyes," has been stranded with a character who is
more of a plot device than a human being. The film doesn't play fair
with Tom/Ron, and there's only so much Caviezel can do with constantly
being asked to look upset or sincere. In a remarkably one-note turn
that could either be blamed on the actress or the writing, Amanda
Peet (2000's "Saving Silverman") is simply annoying in the pointless
part of Claire's daffy sister, Jackie. Peet looks like a fish out
of water around the likes of Judd and Freeman.
An amalgamation of "A Few Good Men," "The General's Daughter" and,
yes, Judd's own "Double Jeopardy," there is ultimately nothing offered
in "High Crimes" that hasn't been done before, and better. The film
is like a stale loaf of bread that you can easily recognize has far
surpassed its expiration date.
Copyright © 2002 Dustin Putman