Review by LarryG 2½ stars out of 4
It's not clear if it's because he's getting older or reacting to the
success of Forever and Ever Amen, but Ben Folds is in a notably subdued
mood on his new cd. Even though he got a hit single with the sad ballad
Brick, it hardly seems that he's calculated that slow songs are the way
to success. The confused young man of Brick who doesn't know how to deal
with his girlfriend's problems is much different from the mature, world
weary character on most of the songs here.
The tone is established immediately on Narcolepsy, which opens with Folds'
elegant piano playing but then dissolves into the band's cacophonous
playing. The song is a gripping epic. The recurring concept of being
overcome by weariness is established. On Mess, he sadly sings of making
the same mistakes over and over. Ben is clearly in a reflective mood.
Both Army and Regrets start with "I thought about". The cd
even includes Your Most Valuable Possession, an answering machine message
Folds received about what really matters in life. He has fun with
reflection on Army, a hilarious mock autobiography where Folds is a
grotesque version of himself, and Your Redneck Past. The more serious
tone pays off on the record's best song, Don't Change Your Plans. Because
Folds seems so sad, opening with "Sometimes I get the feeling, that
I won't be on this planet for very long", the payoff is tremendous
when he sings "You have made me smile again" and "You're
the reason I wanna stay." The music brilliantly parallels the
lyrics. It starts subdued but ends with uplifting strings and horns. The
album ends well. Jane is a very nice song about encouraging a friend to
be herself, with a good mellow jazzy feeling. Lullaby is a more upbeat
bookend to Narcolepsy, recalling a fond memory and ending on a message
of hope.
The band probably works better in the the cheeky, rollicking tone of
Whatever and Ever Amen. The tone there was nasty. One Angry Dwarf and
200 Solemn Faces was about getting revenge for slights of long ago, Song
For The Dumped was a bitter response to an ex-girlfriend and Battle of
Who Could Care Less made fun of Folds' friends for their slacker ways.
But the songs were great; audacious, cocky and fun. On Reinhold Messner,
the only similar rockers are Army and Your Redneck Past. Reinhold Messner
generally isn't fun but it is an interesting, mature work from a talented
songwriter and band.
Review by MusicBox 3½ stars out of 4
Although it is somewhat a departure from their other two albums, on The
Unauthorized Biography of Reinhold Messner, Ben Folds Five still manage
to pound out stirring melodies and emotional lyrics that make up what
they call "punk-rock for sissies." Using the unconventional
piano as the cornerstone of their trio, Ben Folds (piano), Robert Sledge
(bass), and Darren Jessee (drums), created this album as sort of a concept
album. It is a story of the life of a fictional character,
beginning with the powerful Narcolepsy and ending with the peaceful
Lullabye. Army is the closest the Five come to their old school style,
which is probably why the song became the first single off this album.
Although it may take sometime for a less dedicated fan to fall in love
with this album, it will inevitably happen. It's impossible not to like
the mix of piano, bass, and drums and the harmonies of Folds, Sledge,
and Jessee that can send chills up your spine. Although hard to
describe the style of music that this group produces, it's closest to
the power pop genre. I wouldn't reccommend this ablum to a first
time listener to the band, but for the experienced fan, Reinhold Messner
is a must! If you are looking for new and innovative music, this
album is definitely for you. It's like nothing you've heard before.
Here's what others reviewers have to say:
"...Folds and Co. embrace old-fashioned sunny-but-sad pop art echoing
prime Dionne Warwick, 10cc, and Fold's beloved Captain Fantastic. It can
be impressive..." 8 (out of 10) Spin 6/99, p.140
"...exhilarating, amusingly inappropriate and just plain silly by
turns....fresh textures have been employed to considerable effect and
there's an attention to dynamic detail and palpable compositional ambition
that marks the album as a significant development..." Mojo
5/99, p.108
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