Review by LarryG 2½ stars out of 4
The fact that Beck is a genius deserves to be taken for granted.
With three studio records, he's shown a mastery of almost every style
around, from electronic dance music to country pop. The question is
whether Beck knows what to do with his talent. His records, even his
best (Odelay), have had pointless doodling or inside jokes among the
moments of brilliance. Midnight Vultures shows Beck at his most
amazing and most exasperating. It's an incredible achievement, a
record that simulates various types of 70's disco with incredible
imagination and a real sense of authenticity. While Beck brings a real
affection to the music and sprinkles in a lot of good jokes, it's
unclear what the point of Midnight Vultures is. Beck alludes to so
many records and performers that even the most knowledgable listener
will probably only pick up a fraction of the dozens of references. The
artist who comes to mind the most is The Artist, the former Prince,
particularly on songs like Peaches & Cream with Beck singing his
double entendre falsetto come ons. Like Beck here, Prince has an
extensive knowledge of R&B history and works tirelessly to make his
records sound exactly like he wants. But Prince's audience has shrunk
as he's lost the energy and spontaneity of his early work.
Unlike on Mellow Gold and Odelay, Midnite Vultures doesn't have
any indecipherable experiments. Here he keeps the beat and the
positive dance club feeling coming and there's almost always a good
groove. While Midnite Vultures is an interesting curiosity, I find it
ultimately exhausting. Part of the problem is Beck's typical gibberish
lyrics which gives you little to hold on to from each particular song.
Nicotine and Gravy has a good minimal dance feel and I like the way it
dissolves into a cacophonous Beatlesque string section but there's too
much musical wandering around and what are you supposed to take from
its chorus:" I think we're going crazy, her left eye is lazy/She looks
so Israeli, nicotine and gravy." Mixed Bizness is a fast song, that
sounds like Love Machine or Ohio Players with a fun, silly chorus and
a high voiced male mindlessly singing, "All right, turn it up now" but
it drags on too long. Still, there are plenty of great pieces to
Midnight Vultures like the ridiculously cold metallic beat and vocals
of Get Real Paid and the mock-real rap of Hollywood Freaks with his
"crew" yelling at the end "Jockin my Mercedes, probably have my
baby/Shop at Old Navy, he wish he was a lady."
Unlike the very unified Mutations, Midnite Vultures doen't stay
to his theme for the whole record. Midnite Vultures does best with
songs that don't fit the general disco theme. Sexx Laws is very
appealing with a fun, loose feel. It combines different sounds in a
joyful way with horns, countryish banjos and steel guitar and cheesy
electronic effects as Beck advocates a new sexual revolution. Midnite
Vultures ends well. Beautiful Way is a laid back countryish song that
achieves a cool mood and relaxed beauty. Pressure Zone has the
record's typical electronic effects but has a good, crunchy electric
guitar and more focused vocals from Beck to give it a little weight.
Debra is another song that is clearly an homage to 70's soul, but this
one is an easy ballad. Beck has a good time with the cool, jazzy mood,
playing the smooth ladies man. The feeling is more relaxed than the
dance songs where Beck buries the song in all kinds of tracks and
musical jokes.
It's unfair to compare it to one of the best, most original
records of 1999 but Midnight Vultures pales in comparison to Moby's
Play. Both are very well made studio creations but Moby, especially in
his beat filled additions to classic blues songs, doesn't just show
his love for great, old music and show his ability to make a record
with a great beat but he makes something new and exciting. Beck
apparently sees Midnight Vultures as just one step in a long and
varied career. Like Mutations, Midnight Vultures is a well made
record, where Beck works well staying mostly within a particular
musical idiom. Still, for his next record, hopefully instead of
showing how well he can simulate the past, Beck will make an original,
forward looking record.
|