Tantric-Astounded(down 1 position)
Like Breakdown, the second chart hit from the former Days Of The New members' debut CD has Hugo Ferreira doing a bad Eddie Vedder imitation. Ferreira's slurred vocal is more pretentious than Vedder at his self indulgent worst. Astounded resembles Rooster and other Alice In Chains music with its dark, serious tone, "hey, hey, hey"s and acoustic guitar that eventually changes to electric power chords. The lyrics claim "I just found my way" but that apparently doesn't include avoiding resentment to his enemies who he calls "stupid f---ers."
Giving In is from Adema's self titled debut. Adema singer Mark Chavez is Korn frontman Jonathan Davis' half brother. With its dense atmosphere and big guitars, Giving In sounds a little like Korn but it's not as interesting. Giving In's crunching chords and Chavez' slow elocution also remind me of the hard rock Weezer lovingly mocked on their sweater song. Giving In is about falling into alcohol abuse. Chavez is very serious, especially on a kind of goofy spoken word section.
Godsmack-Bad Magick(up 4 positions)
The band that found success by mixing heavy metal, misogyny and witchcraft are back with the third chart hit from their Awake CD. On Bad Magick, Sully Erna continues to act like one of the biggest jerks in rock music. He sings about not wanting to get negative energy from someone "looking at the world with dying eyes." Erna shows his genius and charm with the characterization: "you stare at it dead and you're giving it head."
Lit-Lipstick and Bruises(unchanged)
Lipstick and Bruises isn't as obvious and gimmicky as Lit's My Own Enemy, which probably means it won't be as big a hit. Still, I like its light, fun but rocking sound. Lipstick and Bruises isn't great or important, but with tight harmonies and big, efficient guitars, it's simple and energetic like the best poppy work of Van Halen and Cheap Trick. Lipstick and Bruises, from the Atomic CD, has a very simple lyric which apparently expresses ambivalence about a woman. A. Jay Popoff mocks her for acting like a rock star with her new friends but still wants her to "kiss me when the lights go down."
Janet Jackson-Someone To Call My Lover(down 8 positions)
Like on All For You's title track, Janet Jackson plays it safe on the CD's second hit, using a familiar riff from a 70's hit, creating a pleasant, though not particularly exciting, sound. Someone To Call My Lover, written and produced by Jackson and her longtime partners Jimmy Jam and Terry Lewis, has a nice, easy feel with a riff from America's Ventura Highway, chiming keyboards and smooth beat. Jackson's vocal is fluid and likable. Someone To Call My Lover is also like All For You in its hope that some guy will come up to her and decide she's "the girl of his dreams." On Someone To Call, Jackson bemoans the loneliness of the road and how "easily I fall in love."
Sum 41-Fat Lip(down 7 positions)
Fat Lip, from the All Killer No Filler CD, is fairly fun but totally derivative punky pop. Fat Lip alternates between an early Beasties style mix of rap and rock guitar and mindless power pop. The rhymes, like "I like songs with distortion, to drink in proportion, the doctor said my mom should have had an abortion", are cocky and dopey. With Deryck Whibley singing about being "sick of always hearing act your age" and of liking to have "fun at other people's expense", the other half of Fat Lip is basically a rehash of Blink 182's What's My Age Again. The song also throws in some lame rebellion("I'll never fall in line, become a victim of conformity") but the song's appeal comes from its fast, high spirited energy.
Michelle Branch-Everywhere(up 6 positions)
Everywhere, from Michelle Branch's Spirit Room CD, reminds me of the good, positive energy mid 90s rock of Letters To Cleo and Lisa Loeb. With its savvy mix of pop gloss and tight, energetic rock guitars and drums, Everywhere also sounds like the disposable but undeniably catchy Story Of A Girl. Everywhere is perfect for the soundtrack to Dawson's Creek or whatever the kids are watching these days. The 18 year old Branch's sunny innocence is hard to resist. Everywhere is about realizing the guy she's obsessed with isn't always there for her but still hoping he will be.
Saliva-Click Click Boom Boom(up 1 position)
Click Click Boom Boom, the second chart hit from Saliva's Every Six Seconds CD, isn't as goofy and derivative as Your Disease but it's still pretty goofy and derivative. Click Click Boom Boom has the Soundgarden meets Kid Rock mix of rapping and big beat with power chords that Limp Bizkit has so successfully sold to the male teens. Josey Scott angrily yells lyrics that share Fred Durst's combination of boasting and paranoia and lamely try to seem meaningful. Scott tells us how all his time "up in my room" has paid off in "a new style" that's "buck wild." The only part of Click Click Boom Boom I really like is his gratuitous shot at the "cryin' ass bitchin" of his fellow rockers' complaints about their troubled childhood.
Michael Jackson-You Rock My World(up 6 positions)
MTV and VH1 are regularly playing the kind of silly(Michael Jackson, with his pale, doelike mask of a face, is no one’s idea of a tough guy) and undoubtedly ridiculously expensive(with brief, gratuitous appearances by movie stars like Marlon Brando and Chris Tucker) video for You Rock My World. Video play is a factor in calculating the top 50, so You Rock My World made the chart. However, top 40 radio play is a bigger factor and with pop radio quickly abandoning You Rock My World, it won’t last long on the chart. Apparently, programmers don’t find it as exciting or catchy as Alien Ant Farm’s flashy rock cover of Jackson’s Smooth Criminal. I likeYou Rock My World, the first single from Jackson’s Invincible CD. While it’s a little innocuous and not as striking as Jackson’s biggest hits, it has the easy confidence of his smooth 80’s songs like Off The Wall.You Rock My World is an unrushed jam with a steady but unobtrusive beat. Jackson’s voice doesn’t quite have the personality it used to but it still has a cool fluidity. One minor problem: Jackson has always had little vocal affectations but on You Rock My World his grunts sound a little like he’s gasping for breath. On You Rock My World, Jackson asks a woman, who might be the "perfect love" he’s searched for, to stay and "fulfill my dreams."
Eve-Let Me Blow Ya Mind(unchanged)
Eve's two solo records have been huge sellers but Let Me Blow Ya Mind is her first pop radio hit. Like the songs on the Scorpion CD with Teena Marie and Bob Marley's kids, Let Me Blow Ya Mind matches Eve with a mellower performer. No Doubt's Return Of Saturn didn't do too well but Gwen Stefani is doing great as a supporting player, following her work on Moby's South Side with nice, playful harmonizing on Let Me Blow Ya Mind. Stefani and the easy music soften Eve's good but harsh rap, which boasts and disses, warning competitors that it takes "a lot more than you to get rid of me." Let Me Blow Ya Mind was produced by Dr. Dre. He uses a cartoonish synth like he did on his own records and on Eminem and Snoop Dogg's. Let Me Blow Ya Mind has a likable, smooth feel and a relaxed beat.
Fuel-Bad Day(down 5 positions)
The third chart hit from the Something Like Human CD is another power ballad. The music and Brett Scallions' singing aren't as overwrought as on Hemmorhage and Innocent but Bad Day is still very intense and serious. Bad Day sounds like a hit, using the formula of starting with acoustic guitar and letting the rock sound build. The lyrics are OK, a simple tale of a girlfriend whose problems may be more serious than she's letting on.
Default-Wasting My Timebuy it!
Wasting My Time, from the Fallout CD, is the Canadian band's first U.S. chart hit. Wasting My Time is fairly generic, catchy rock. The lyrics justify a breakup with a girlfriend.
Craig David-Fill Me In(up 4 positions)
Englishman Craig David's vocals are appealingly confident as he quickly glides through Fill Me In. Everything else about Fill Me In, from David's Born To Do It CD, is pleasant but a little innocuous. David's lyrics about a couple closely monitored by the girl's parents while "we were just doing things young people in love do" seem carefully calculated to be sexy and still easy to relate to for kids of different ages. Fill Me In's music, with a mechanical sounding beat and synth strings, is pretty tame and repetitive.
Train-Something Morebuy it!
It's easy to write off Train as a boring, if tuneful, yuppie band but they sometimes do fairly interesting things withing a pop context. Something More resembles late period psychedelic Beatles or, more accurately, the hundreds of songs other bands have modeled on later Beatles music. As the strings get bigger and the song just repeats itself, Train's easy listening tendencies become more obvious. Still, Something More, from the Drops Of Jupiter CD, is tuneful and it gets a decent edge from an unrushed pace and a good, dense texture with a thick bass line. On Something More, Pat Monahan is depressed and ready to move on from a relationship with a woman who's never satisfied.
VH1 used Overcome, from Live's V CD, as the music for a video depicting the aftermath of the World Trade Center disaster. With its serious piano, heavy strings and Ed Kowalcyzk's intense vocals, Overcome would ordinarily seem overdone. In the past, Kowalcyzk's use of religious and water imagery has often been heavy handed and he uses such images again on Overcome. But Live's big, emotional, open hearted music, like U2's, has seemed appropriate for a time of healing. Overcome has a stark, mournful sound. After stating "the world is bleeding", the lyrics refer to an escape from a troubled society via a "beautiful drowning."
Usher-U Remind Me(unchanged)
U Remind Me was produced by Jimmy Jam and Terry Lewis, who with Usher and Janet Jackson are doing especially well these days with light dance pop, and Eddie "Hustle" Clement. U Remind Me, from Usher Raymond's 8701 CD, has a synth hook that's a little wimpy but very catchy. The sound is generally clear and good with a relaxed beat. Usher's vocal generally stays modest, smooth and appealing. He only briefly resorts to overdramatic emoting. U Remind Me's lyric is a little silly, apologizing for the pain he's causing("I know it's so unfair to you") by breaking up with someone who reminds him of the girl who broke his heart by "sexing everyone but me."
N Sync-Gone(up 4 positions)
N Sync risked alienating a large number of their fans with Pop, the title track and first single from their new CD, and its cold, harsh sub-Michael Jackson sound, paranoid boasts and ridiculous challenge to critics who don't respect them. The second single plays it safe, letting heartthrob Justin Timberlake pour his heart out about his pain and longing for a lost love while the rest of the boys harmonize behind him. The vocals are nicely restrained and quite good. The music, acoustic guitars and strings, is so tastefully minimal that it's a little boring.
Stone Temple Pilots-Hollywood Bitch(down 6 positions)
Days Of The Week, the charming, poppy, mature sounding first single from STP's Shangra La Dee Da CD, had a fairly short chart life. The second single reverts to the tough, angry sound of early STP songs like Sex Type Thing. Hollywood Bitch starts with familiar hard rock guitars and Scott Weiland's cold, nasty vocal. The band's pop gifts kick in later and Hollywood Bitch starts to resemble Big Bang Baby but without that song's buoyancy. Hollywood Bitch is partly dragged down by the cruelty of the portrait of a woman "so fake she seems real" who "sold yourself" while living a "rock star life."
Lifehouse-Hanging By A Moment(down 11 positions)
Having debuted in November, Hanging By A Moment, from the No Name Face CD, is the oldest song on the top 50. Pop radio still isn't tired of it. Lifehouse are another young band clearly showing their Pearl Jam and Nirvana influences. There's a similarity between Lifehouse and Creed, the most successful of the Pearl Jam soundalikes. Lifehouse are very serious, like Creed, but they don't have Creed's pretentious excess. Hanging By A Moment is a familiar sounding rock ballad but Jason Wade is appealingly sincere, singing about "falling even more in love", "letting go of all I've held onto" and "living for the only thing I know."
Jagged Edge-Where The Party At(down 1 position)
Where The Party At is from the Jagged Little Thrill CD by the group led by twin brothers Brandon and Brian Casey. Nelly contributes his distinctive rap and uh-ohs. Like Nelly's work, Where The Party At mixes lyrics glamorizing a silly, decadent lifestyle with very appealing, relaxed music. The lyrics depict a cartoonish, Bacardi filled world where you've got to "represent your side" or "catch a hot one" and girls are "showin' that skin tryin' to make a nigga wanna spend." But Jermaine Dupri's production is remarkable, keeping things easy but never letting the energy wane. Where The Party At has good beats and subtle, tuneful guitar and piano sounds. The vibe is almost too mellow but the vocals are good and smooth.
LFO-Every Other Time(down 3 positions)
The Lyte Funky Ones' previous hit was the confident but very stupid and lame white rap song, Summer Girls. With a synthetic sound and too many aggressively perky na na nas, Every Other Time is also quite empty headed and very white. But Every Other Time, from the Life Is Good CD, isn't as bad as Summer Girls. Sounding like Semi Charmed Life and Hey Leonardo, Every Other Time is more standard teen pop, with a lightweight, genial sound. The lyric is kind of charming. Every Other Time is about a guy who stays in a relationship with a girl who keeps things interesting by walking out, pulling bizarre pranks and telling everyone that he's gay.
Drowning Pool-Bodiesbuy it!
Bodies, from Drowning Pool's Sinner CD, will never recapture all the airplay it had when it nearly made the top 10 the week before the World Trade Center attacks but many rock programmers decided in October that enough time had passed that it was o.k. to play a song with the chorus: "let the bodies hit the floor." It's understandable why stations would want to keep playing Bodies. Bodies is big and striking with a catchy chorus and an intense sound that mirrors its lyrics. Dave Williams, with his tough, attention grabbing wail, has more presence than many other troubled rockers these days. But, especially in an year that's seem enough violent images, I feel like we can do without this nasty tale of a guy who strikes out after deciding he "can't take much more."
Ozzy Osbourne-Gets Me Through(up 1 position)
After serving so many successful young rock bands as a patron(through the Ozzfest tours) and a musical influence, it seems only fair that a 50-something Ozzy Osbourne should have another shot at a hit. Gets Me Through, which has a suitably cheesy video, is from the Down To Earth CD. Osbourne’s high, demented vocals combine the excesses of 70s art rock and heavy metal. Gets Me Through’s music is fairly standard crunching hard rock, complete with a showy, technically proficient guitar solo, but the song’s main appeal is as a short sample of Osbourne’s over the top dramatics. Osbourne sings about having lost his spirit and being haunted by nightmares and dark visions but still finding some solace in his fans’ love.
Pete Yorn-Life On A Chain(down 2 positions)
Pete Yorn falls somewhere in the folk rock category but his music is distinctive, with good rock energy. His Musicforthemorningafter is one of 2001's best debut CDs. Starting with Yorn's voice filtered, Life On A Chain has a good, light guitar sound and a simple, big beat. Yorn sounds a little like Eddie Vedder but he mostly sounds confident and cool, even as he sings about still feeling chained to the wife he threw away who was "the sunshine heading my front line."
Blink 182-Stay Together For The Kids(unchanged)
Blink 182 have easily shown a juvenile mentality on their stupider songs but they also are able to depict youthful inner turmoil in a real seeming, unshowy way. Stay Together For The Kids, from the Take Off Your Pants and Jacket CD, is even more basic than Enema Of The State’s Adam’s Song as it simply illustrates the effect of a couple’s troubled relations on their kid. The different personalities of Blink’s frontmen nicely illustrate the sides of the troubled kid’s mind. Mark Hoppus sincerely croons the verses and Tom DeLonge angrily yells the chorus. Stay Together For The Kids is similar to other Blink songs. Like on all their singles, they take an instrumental break to build the intensity before doing the verse one last time. But the band create a moving grandeur by slowing things down and building emotion as DeLonge’s guitar and Travis Barker’s drums gain in power.