Everclear-When It All Goes Wrong Again(down 5 positions)
AM Radio, the second single from Learning How To Smile, the first volume of Songs From An American Movie, has just followed Wonderful to top 40 radio. It will have to compete for airplay with the first single from the new CD: volume two, Good Time For A Bad Attitude. A lot of Everclear's music sounds alike. When It All Goes Wrong Again sounds like Santa Monica and You Make Me Feel Like A Whore, from Sparkle and Fade. Still, it's a good formula. Everclear create an exciting, full sound. Everclear songs, like Wonderful, often start quietly and build to an intense finish. When It All Goes Wrong Again, has an energized sound from start to finish with big drums and guitar chords. Art Alexakis sings and, as usual, screams in the end that he's not afraid of life's inevitable downturns and, in fact, relishes facing his next crisis.
Diffuser-Karma(up 10 positions)
Karma is from Diffuser's Injury Loves Melody CD. The music is hard rock without a nasty attitude. Karma is pretty standard power chord driven rock and roll but it has good energy. The philosophy-lite lyrics aren't as spiritually meaningful as the band thinks but they fit the band's pleasantly searching persona: "sometimes you get what you want, sometimes you get what you need, but you're always going to get what you deserve."
Destiny's Child-Independent Women Pt. 1(unchanged)
The latest of the string of hits from the hot female r&b trio of the moment is from the Charlie's Angels soundtrack. Independent Women was probably thrown together quickly for the movie and it sounds like a throwaway. Still, it has the sleek sound of much of Destiny's Child's music and the women smoothly race through their vocals. The lyrics, with their repeated refrain "I depend on me", are an inspirational message saying women don't have to depend on men. They take on a bit of a taunting tone, celebrating how they can buy diamonds, cars and houses, saying that their hard work made it all happen, without conceding that others might not be so lucky.
The Offspring-Original Prankster(down 5 positions)
Original Prankster is from The Offspring's new Conspiracy Of One CD. Unlike the song's quite stupid video, the song doesn't really have pranks in it, just some fairly standard punk rock type promises to bust out or knock down walls. It doesn't have the same lyrical hook but Original Prankster has the same musical elements that made Americana's Pretty Fly(For a White Guy) irresistable. It has a loose mood, aided by goofy aural effects like some guy saying "you can do it." Dexter Holland's wail gives the Offspring a punk sensibility. Noodles' guitar gives the song rock heft and it also has a good dance beat. Redman adds rap cred by intoning the title's allusion to Ice-T and others who claim to be the original gangster. Much of the Offspring's music sounds alike and it's not too substantial but it has undeniable energy.
Shaggy-It Wasn't Me(unchanged)
It Wasn't Me, from the Hotshot CD, perpetuates the idea that a charming rascal can wink and lie to a woman and get out of any problem. Still, It Wasn't Me is so silly and ingratiating that it's hard to dislike. The song is well structured with Rik Rok playing the man caught "red handed creeping with girl next door." Shaggy is his foolish buddy telling him to deny everything despite physical, eyewitness and photographic evidence. The contrast between Rik Rok's high, loose, youthful voice and Shaggy's deep Jamaican style rumble is appealing. The song has a good groove with minimal, well chosen synth effects and Shaggy's fast, nearly indecipherable toasting.
Everlast-I Can't Move(up 10 positions)
On I Can't Move, the second chart hit from the Eat At Whitey's CD, Everlast's subject matter is typically serious. He wants to face the outside world, claims he isn't scared then he's paralyzed by fear. The music and Everlast's delivery are also serious but not quite as heavy and solemn as on Everlast's last few singles. The music is pretty cool with Everlast's acoustic and a good beat.
Dream-He Loves U Not(unchanged)
Everyone wants a piece of the lucrative teen pop market. Puffy Combs is among those behind the latest package of young females. He Loves U Not, from the CD It Was All A Dream, has a familiar sound that basically guaranteed its success. On He Loves U Not, Dream sound like Christina Aguilera without Aguilera's vocal personality or a white Destiny's Child without their sleek sound. He Loves U Not also resembles N Sync's It's Gonna Be Me. It has efficient, basic music with a big, stuttering beat. The singing and lyrics have a youthful simplicity young girls can handle. The girls claim not to care about another girl who is trying to take a boyfriend since they know he only loves her.
Five For Fighting-Easy Tonight(down 2 positions)
Five For Fighting is singer/songwriter John Ondrasik's project. It's easy to imagine Easy Tonight with just Ondrasik's voice and piano but he gives it a big production with a big beat on his America Town CD. With his easy, adult sound and sensitive but intense vocals on Easy Tonight, Ondrasik sounds a little like Shawn Mullins. They're both also a little affected. Ondrasik sings about a woman who's now gone. His recitation of all the things she was(you were wrong, you were right, you took a ride on the suicide romance) and his attempts at self expression("I don't know where I'm going but I sure am getting there") are a little corny.
A Perfect Circle-Three Libras(down 8 positions)
The chart hits from A Perfect Circle's Mer De Noms keep moving Maynard James Keenan farther from Tool's harsh, dense sound. Three Libras has a Led Zeppelin style rock guitars go to the Renaissance festival sound. It's a mellow rock ballad that's a little silly but appealingly sincere. Keenan sings rather that screams. The electric guitars kick in eventually but most of the song has an acoustic feel. Keenan sings "it's difficult not to feel a little disappointed"about being passed over, presumably romantically. He sings that he did his best but "you don't see me at all."
Jennifer Lopez-Love Don't Cost A Thing(unchanged)
Love Don't Cost A Thing is the first single from Lopez' J. Lo CD. People are bound to see the song as commentary on Lopez' relationship with Puffy Combs. Lopez sings about a paranoid guy who thinks she's with him to spend his cash and drive his Benz. She reassures her man that, "ever if you were broke", "all that matters is that you treat me right." In the end, she decides to leave until he shows his love is true and gives her "all the things I need that money can't buy." Opening with symphonic drums, Love Don't Cost A Thing has good beats and the kind of cool, clean kind of production Rodney Jerkins gave Toni Braxton's He Wasn't Man Enough and Brandy & Monica's The Boy Is Mine. Lopez' voice, pretty thin in the past, is generally hidden by backing vocals. But when she's on her own, her modest singing has an interesting flow, dramatically changing pace.
Dexter Freebish-Leaving Town(down 7 positions)
Leaving Town is from the Austin band's major label debut, A Life Of Saturdays. The band makes radio savvy alternative pop in the vein of Matchbox 20 and Vertical Horizon. Leaving Town is a bitter tale of the guy left behind as his girl pursues success in the big city. Kyle sings, "when you're broken down and no else is around, you'll come running back to this town and I'll be there." Leaving Town is familiar and unoriginal but Dexter Freebish work the formula well when the power chords kick in on the chorus.
Collective Soul-Why Part 2(down 12 positions)
Why, Part 2 is the first single from the Georgia band's Blender CD. Like Gel and Where The River Flows from their debut record, Why has a chunky, hard guitar riff. However, they hedge their bets, trying to appeal to a mainstream audience with keyboards and sleek production. Typically for Collective Soul, the result is music that's listenable but not particularly distinctive or memorable. In the lyrics, Ed Roland feels sorry for himself and wonders how love slipped away, leaving him "alone with the blame."
Disturbed-Voices(up 5 positions)
Voices, the second hit from the Sickness CD, isn't quite as unpleasant as Stupify but I still find it unappealingly nasty. David Draiman angrily roars that he's "gonna talk about some freaky shit now" then asks "are you breathing now?" and says "someone's gonna die." Voices is probably about Draiman's troubled mind. It ends with some garbage about feeling "the subliminal need to be one with the voice and make everything all right" but Voices' imagery is still distasteful. The heavy, atttacking guitars creating a menacing, though powerful, atmosphere.
Mya-Case Of The Ex(down 6 positions)
Case Of The Ex is from the Fear Of Flying CD. Case Of The Ex sounds a little like Aaliyah's Try Again. It's got a sleek, stark sound with a good shifting beat. Mya's voice seems O.K. and it's adroitly covered for most of the song by good background vocals. Case Of The Ex is a fairly nasty tale. A guy's current girlfriend demands to know how he's gonna act when his ex wants him back. She figures the ex has heard he bought her a "brand new Benz" and wants a piece of the action. The girlfriend's not subtle. She reminds him the ex "turned trick" when they broke up and says she's seen the ex's picture and "she ain't even all that."
Madonna-Don't Tell Me(unchanged)
Don't Tell Me, the second single from the Music CD, was written by producer Mirwais Ahmadzai and a pop music odd couple, Madonna and her brother in law, atmospheric folk rocker Joe Henry. The lyrics are pretty familar. Telling Madonna to stop loving her man is like telling "the rain not to drop", the wind not to blow" and "the sun not to shine." Henry's minimal, twisted writing style isn't too evident, except maybe towards the end: "tell the bed not to lay, like the open mouth of a grave/not to stare at me, like a calf down on its knees." Don't Tell Me is pretty insubstantial but it has a good, easy mood. The sound is clear and simple with acoustic guitar, solid beats, strings and some silly sonic effects to spice things up. Madonna's vocals are pleasant and not too bad.
Limp Bizkit-Rollin'(down 7 positions)
Of the two singles from Chocolate Starfish and the Hot Dog Flavored Water, My Generation got most of the early play. Modern rock stations are now focusing more on Rollin'. Both songs are hard edged but Rollin' is even more urgent and edgy. The band's mix of hard rock guitar and hip hop beats has energy and undeniable power but Rollin' is so harsh that it's hard to like. As usual, Fred Durst's rap is the weak link. His squealed rhymes are typically paranoid, singing about people who "wanna mess with Limp Bizkit." We hope that he's gently mocking rap cliches when he urges us to "put them hands in the air." The dopey chorus tells us over and over again to keep rollin', rollin, rollin'.
Evan and Jaron-Crazy For This Girl(unchanged)
The most interesting thing about Evan and Jaron Lowenstein is that they're probably already the most successful Orthodox Jew twin brother singers in pop history. Crazy For This Girl owes some of its success to being on the second Dawson Creek's soundtrack CD. On Crazy For The Girl, which is also on their self titled CD, the boys have a smooth, sincere, clean cut sound as they sing about the girl they think about constantly who "don't know how I feel." The sound doesn't have much more edge than the teen pop boy bands. But like Hey Leonardo, another song by adults that was aimed at a young audience, Crazy For This Girl is a guilty pleasure. It's superficial but with catchy hooks and good, tight guitar riffs on the chorus.
Rage Against The Machine-Renegades Of Funk(down 4 positions)
Renegades Of Funk is from Renegades, a record of political songs originally done by people like Bob Dylan, Bruce Springsteen and Cypress Hill. It's Rage Against The Machine's last CD with Singer Zack De La Rocha, who is leaving for a solo career. Renegades Of Funk is a cover of an Afrika Bambaataa song. Zack gets into it, having fun with the commands to move and groove. Rage always claim a single minded determination to fight for justice so they must like Renegades Of Funk's sweeping statements. Renegades' hook, "no matter how you try you can't stop us now", has the optimism of a Rage song like Guerilla Radio. There's also a little self aggrandizement. They boast, "we change the course of history" and compare themselves to Martin Luther King and Tom Paine. Renegades Of Funk is more about beats and less about guitars than the usual Rage song. The cheap Sci Fi synth recalls the sound of Afrika Bambaataa's time. The beats and the simple idealism create an appealing energy.
98 Degrees-My Everything(up 3 positions)
I quite liked Give Me Just One Night, the first single from the Revelation CD but My Everything is bland, even by boy band standards. You'd figure even the preteen girl target audience would be bored by the endless string of wimpy declarations of love for the girl who saved him when "my eyes had no more tears to cry": "nothing your love won't bring, my life is yours alone/the only love I've ever known", "all my hopes and all my dreams are suddenly reality" and "every night I pray on bended knee." My Everything sounds like other easy listening favorites like I Believe I Can Fly but its treacly sound, with piano and ladled on strings, is even tamer.
BBMak-Still On Your Side(up 3 positions)
Still On Your Side is the second U.S. hit from the squeaky clean British group's Sooner Or Later CD. BBMak seem a little more real and less calculating than their American boy singer counterparts, sounding like nice, decent young guys. Still On Your Side has pleasant, easy guitar pop backing and the boys have impressively tight harmonies but the singing and lyrics are very mild. The song's character is pretty lame. Even after being rejected, he pledges "to be there when you fall, to build you up when you're feeling small."
Creed-Are You Ready?(unchanged)
Are You Ready is the fourth chart hit from Creed's Human Clay CD. As always, Scott Stapp sings as if he's got brilliant ideas no one's ever thought of. But all Are You Ready's says is: seek and you'll find, remember where you came from and life is hard and unpredictable. Usually, Creed's music is a little more subtle than Stapp's lyrics and singing but the music here is uninventive hard rock. Are You Ready sounds like dozens of metal pop songs from The Who's The Seeker to STP's Vaseline.
Pink-You Make Me Sickbuy it!
I'm tired of Pink's narcissistic, tough girl video persona but her Can't Take Me Home CD keeps delivering good dance pop songs. You Make Me Sick is similar to There You Go and Most Girls but has its own sound with a good, dancable groove from strong rhythm tracks and an efficient beat. The lyrics don't go far beyond "I want you but I'm hatin' it" and the idea that a guy who makes her sick also makes "my knees get weak" but Pink's fast, confident vocals help keep the song's momentum going.
K-Ci & Jojo-Crazybuy it!
Recently, smooth African American love men have been seriously outnumbered at top of the pop charts by R&B divas and white teen pop singers. K-Ci & Jojo Hailey, brothers who were formerly members of Jodeci, return to the charts with a soul ballad from their X CD. They're one of three groups that entered the top 50 within a week in January with a very mellow song about a guy who's nothing without his woman and is willing to do anything for her. K-Ci & Jojo seem like better singers than 98 Degrees and BBMak but their delivery is ridiculously overemotive. The pathetic lyrics apologize for being a fool, beg for her to come back and repeat how obsessed he is with her. Crazy has easy listening backing with a restrained beat and tasteful piano though the chorus tries to spice things up by distorting the voices with a silly vocoder effect. Crazy is also on the Save The Last Dance soundtrack. It's had incessant play on MTV which, not coincidentally, produced Save The Last Dance.
Debelah Morgan-Dance With Me(down 5 positions)
The title track from the Dance With Me CD is a bit bizarre but it probably works O.K. on the dance floor. With its insistent violin, Dance With Me is a little like Marc Anthony's I Need To Know but the recent hit it most resembles is Sonique's It Feels So Good. Both are throwbacks to the dopey hits of the late 70's. Dance With Me is eerily like a hit from the peak of the disco craze in its use of a gimmick, an arrangement based on the tango Hernando's Hideaway from the Broadway musical The Pajama Game, and its very simple lyrics extolling the benefits of dancing. Morgan's singing is pretty good but the words are moronic with every cliche you could imagine including, "the night is young and so are we", "when we hit the floor you'll be asking for more" and "I feel the music inside."
The Offspring-Want You Badbuy it!
The second single from the Conspiracy Of One CD follows the colorful silliness of the rock/hip hop hybrid Original Prankster, with a returns to The Offspring's punk pop signature sound. Want You Bad is also stupid, a dopey male fantasy, but it's very energetic with fast, fun guitars and drums. With his typical yell, Dexter tells his girl "you're too nice" and advises her to get tattoos and mistreat him.