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All-Reviews.com Top 50 Songs*:
for the 4th week of February, 2003

*based on airplay at alternative, pop and rock radio stations a cross the nation (reviews by LarryG)

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  1. 3 Doors Down-When I'm Gone    (unchanged)      buy it!
    Kryptonite, Three Doors Down's breakthrough single off their The Better Life CD, wasn't brilliant but it was at least spirited and gave some sense that the Mississippi band weren't run of the mill rockers. When I'm Gone Away From The Sun is very run of the mill. It's another offering from the intense, humorless school of Creed and their brethren. Brad Arnold's clenched teeth, tough guy delivery is a bore. When I'm Gone definitely isn't fun. Everything about it is meant to show how serious the band is. The power chords pound and When I'm Gone slowly slogs forward. The lyric isn't awful but it's a lot like those by other sensitive hard rockers and its vulnerability is undercut by his vocal's self righteous tones, making his needy requests sound like orders. Arnold tells his love he lives in darkness burdened with secrets. He's partly redeemed by the depth of his love but he's very dependent, needing her to "hold me when I'm scared" and love him even when he's gone.

  2. Coldplay-Clocks    (unchanged)      buy it!
    Coldplay's singles from the A Rush Of Blood To The Head CD sound great in any context but they're especially striking on modern rock radio. Amid angry, testosterone fueled songs, the beauty of Coldplay's music is particularly welcome. Clocks has a wonderful dreamy feel. Strings and a synth provide an airy cushion while Chris Martin plays a simple but insinuating piano line. On some parts of Rush Of Blood, Martin is pretentious or annoyingly meandering but on Clocks, even as the song moves at a leisurely pace that accentuates its hypnotic appeal, Martin's vocal stays focused. Martin's typical sense of yearning works well on Clocks. Martin is apparently singing, as he does on many Coldplay songs, about a woman to whom "nothing else compares" who doesn't want to be with him and about being willing to wait for her to change her mind. He sings "you've put me down upon my knees", leaving him to "beg and plead" and "curse missed opportunities" but seems to retain a bit of hope.

  3. Saliva-Always    (unchanged)      buy it!
    Singing on the terrible but very popular Hero raised Saliva lead singer Josey Scott's profile. Hopefully, the mediocrity of the title track off Saliva's Back Into Your Sytem CD will return Scott to semi-obscurity. Always is a compendium of modern rock cliches. It's another song based on the Nirvana model from songs like Heart Shaped Box. A subdued verse with quiet guitar picking alternates with a chorus where power chords slam while the singer rants. Always also has a touch of the dark atmosphere and over the top paranoia of the Korn/Tool school though a better comparison may be Def Leppard's empty art metal. Always' "I love you, I hate you" lyric has the misogyny and self pity common in today's rock. I'm sorry Scott went through a tough time but I wish he wouldn't sing about it. Scott doesn't have a great voice and Always' "I'm out the door" but I "can't live without you" tale emphasizes his whininess. On Your Disease from Saliva's Every Six Seconds CD, Scott had cartoonish fun, mixing rapping with broad crooning. Always, like Hero, plays things painfully straight. Towards the end, Always shifts from stupid and annoying to objectionable as Scott introduces the image of a pistol "shakin' in my hand" threatening that he sees "blood all over your hands."

  4. Audioslave-Like A Stone    (up 2 positions)      buy it!
    Audioslave follow Cochise, the very enjoyably over the top, heavily Led Zeppellin influenced headbanger with a good, very subdued song. Who would have thought that the union of members of two hard rocking 90s bands would create a mellow, restrained hit? Rage Against The Machine weren't known for rock ballads but their musicans sound surprisingly comfortable playing a radio friendly midtempo rocker. Chris Cornell previously eschewed his usual Robert Plant inspired shriek on Soundgarden songs like Fell On Black Days and his solo record so his participation is some what less surprising, but his smooth vocal on Like A Stone is still notable. Like A Stone sounds like various mainstream rockers but it still has power. Like A Stone's sprawling pace and Cornell's controlled, strong singing give Like A Stone an epic, spell binding appeal. Guitarist Tom Morello does a good job providing a low key, textured background with a slight sense of menace. He also gets to shine with a solo that's not as hard as his Rage playing but shows a good sense of flair and drama, as his processed guitar twists around the notes. Like A Stone's lyric is a tale of devotion. Cornell sings about being obsessed by a long ago relationship. He apparently takes solace in the hope that if we're good, we'll lay to rest anywhere we want to go, so he'll eventually be reunited "in your house." Like A Stone is a bit formulaic and sappy but it's also quite gripping.

  5. Queens Of The Stone Age-No One Knows    (unchanged)      buy it!
    No One Knows is from Queens Of The Stone Age's ambitious, sprawling Songs For The Deaf CD. On No One Knows, like on much of Songs For The Deaf, QOTSA writer/musicians Josh Homme and Nick Oliveri show that music can rock and not be really stupid or predictable. Homme's stomping guitar line is one of the best riffs of the year. It gives No One Knows heft and edge and keeps the song moving. Homme supplements the riff with big, crunching playing on the chorus and a dramatic but tight solo. Homme's singing is typically unshowy but he also appreciates rock dynamics, following the song's flow as he shifts from a serious, troubled vocal to a more excited falsetto. No One Knows is a well deserved commercial breakthrough for QOTSA and one of the better rock songs of 2002. I guess that No One Knows is an appreciation of the gift of having someone special who's "mine, indeed a fool of mine" in a world that's otherwise filled with stupid rules and hopelessness.

  6. Foo Fighters-Times Like These    (up 1 position)      buy it!
    Dave Grohl has become an elder statesman of modern rock. 2003 started with songs he played on by Foo Fighters, Nirvana and Queens Of The Stone Age in the top 10 and the hits keep coming. Times Like These is the second top 50 hit from Foo Fighters' One By One CD. Times Like These isn't quite as good as All My Life but it has a superficial charm and is one of the better songs on a fairly bad CD. It's got the unremarkable competence that marks so much Foo Fighters music. The most striking thing about Times Like These is its guitar riff, copped from The Cult's She Sells Sanctuary, which gives the song some excitement(and, along with the lyrical allusion to Husker Du's New Day Rising, a 1985 vibe). Otherwise, Times Like These is innocuous but fine. Grohl's voice seems even less skilled than usual. It's hard to argue with the lyrics' message that, even in a screwed up world, you have to live and love. But it ain't exactly deep and reminds me of the lame post September 11 claims that the terrorists win if we don't do things(go shopping, take that flight, go ahead with the Emmys).

  7. Seether-Fine Again    (down 3 positions)      buy it!
    Seether are the latest of many glum, post-grunge bands to hit the top 50 though the first to come from South Africa. On Fine Again, from Seether's Disclaimer CD, singer/songwriter Shaun Morgan sounds a lot like Puddle Of Mudd's Wes Scantlin, the most successful of the recent mopey Cobain clones. Morgan doesn't have Scantlin's arrogance and Morgan's lyric and delivery make it clear that his pain is real, not the showy posturing Scantlin sometimes engages in. Seether effectively use the grunge conventions. Morgan's intense emotion can pull you in, in a Lithium kind of way, as can the way the power chords underline his vocal. But Fine Again sounds so familiar and inferior to the music Morgan clearly loves that it's hard to stay interested. Also, Morgan's depression is apparently so deep that he can't vary his flat affect or Fine Again's fairly monotonous melody. Morgan can't even muster the cathartic wail that is often grunge's saving grace. Fine Again is about being told he should get over his breakup but feeling stuck in a world where every day is gray and the same and feeling "like I'm dying."

  8. Red Hot Chili Peppers-Cant Stop    (unchanged)      buy it!
    Cant Stop, the third single from the By The Way CD, continues the Chili Peppers recent habit of following fairly serious, mature singles with looser, goofy songs that echo the bands anarchic earlier music. Like Around The World and other Chili Peppers songs, Cant Stop is a multipart song that quickly segues from wacky to sincere. Cant Stop is a good showcase for John Frusciantes versatility. He alternates between jagged and smooth guitar parts and even gets to play a hard rock solo and a bit of a skanky ska line. As usual, Anthony Kiedis is both annoying and charming. The verses showcase the typical free asssociation glibness hes used on songs like Give It Away but hes still appealing on the chorus singing about the world I love, the tears I dropped and the trains Ive hopped. Cant Stops familiarity is its strength and weakness. Cant Stop is genial and generally goes by easily but its so unmemorable and such a slight variation on other lightweight Chili Peppers songs that its basically pointless.

  9. Godsmack-Straight Out Of Line    (up 1 position)      buy it!
    Straight Out Of Line is from the angry Boston based hard rockers' Faceless CD. The CD's title is a great straight line but, unlike a lot of their interchangable nu-metal contemporaries, I don't think Godsmack's music lacks personality. I just find it really unpleasant. Straight Out Of Line is a fairly typical Godsmack song. I suppose Godsmack are effective at creating an edgy sound the kids can relate to. Sully Erna bellows his rage at his enemies while the band creates a dark, ominous mood. Tony Rombola's guitar threateningly rumbles, slashes and booms. On Straight Out Of Line, Erna complains about unnamed people(maybe critics) who "lie to me" and force him to "justify my ways." I understand that Godsmack's music speaks to troubled young male rock fans but it just strikes me as nasty.

  10. Chevelle-The Red    (down 1 position)      buy it!
    The Red is from the Wonder What's Next CD by the Chicago based band formed by the Loeffler brothers. The Red is the latest rock radio hit with threatening atmosphere and a singer seriously intoning about a young man with a troubled mind. It's hardly surprising that two hit songs this year have been based on the idea of "seeing red." At least half of rock music these days is about being pissed off. The Red's repeated riff effectively creates a tense mood, slowly grinding forward with Joe Loeffler's good bass line and Pete Loeffler's crunching guitar. But after The Red creates a stark impression, nothing much happens. As the riff repeats again and again, it loses some of its power. Unlike other current rock singers, Pete generally avoids pretension and overemoting but he's not particularly memorable, until the predictable cathartic climax when he rants "seeing red again." The Red is about a guy unable to control himself after repeatedly being singled out and called a freak.

  11. Socialburn-Down    (up 2 positions)      buy it!
    Socialburn are a new band from Tallahassee, Florida lead by singer/songwriter Neil Alday. Socialburns Where You Are CD was produced by John Kurweg, whos done a lot of work with Creed. Sadly, Socialburn dont show any more originality or charm than Scott Stapps kings of humorless, successful mediocrity. Sounding like Alice In Chains Layne Staley or Stone Temple Pilots Scott Weiland, Alday has the angry, serious delivery of so many of todays young rock singers. On Down, Alday repetitively voices the common modern rock complaint that an unnamed you says and does things that make me feel like nothing and fuel his inner torment.

  12. Puddle Of Mudd-She Hates Me    (unchanged)      buy it!
    She Hates Me, Puddle Of Mudd's fourth chart hit, is the least annoying song so far from the Come Clean CD. At least, Wes Scantlin isn't ranting or tunelessly whining. She Hates Me brings to mind numerous jaunty songs by otherwise rocking alternative bands. The melody and guitars particularly remind me of L7's Pretend We're Dead. She Hates Me is also obviously reminiscent of Nirvana songs like Lithium which start whimsically but then reach an angrier screamed chorus. She Hates Me is fairly listenable if totally disposable. Scantlin doen't give us much insight into why things went wrong. His writing is typically uninspired, starting by rhyming grand with hand, two with unglued and grip with slip.

  13. Jennifer Lopez and LL Cool J-All I Have    (up 2 positions)      buy it!
    Jennifer Lopez impressive string of hits continues with the second single from her This Is Me Then. Lopez apparently isnt a great actress but she has a decent career in solidly constructed, unmemorable films built around her appealing presence. Similarly, Lopez is an unremarkable singer and her songs charm rarely outlive their chart life. But her musical star vehicles are even more impressive than her movies. All I Have is fairly unambitious but its very likable and comfortable. All I Haves tale of a woman bouncin^ from a relationship with a charming, untrustworthy guy isnt new but its singers star quality gives it a larger than life, cinematic feel. LL Cool J is particularly convincing playing charming, cocky and irresponsible, making Lopez decision whether to hold onto her pride seem real. Lopez essentially plays straight man to Cool Js scene stealing Lothario but her singing is more interesting than usual. She gets added personality by copying the vocal hiccup from Deborah Laws Very Special, the song that supplies All I Haves catchy sample. The sample, the singers chemistry, and an easy beat and chiming effects create a smooth easy to take sound.

  14. Avril Lavigne-Im With You    (unchanged)      buy it!
    Avril Lavignes major label recording career is off to an incredible start with three #1 pop singles. Like its predecessors from the Let Go CD, Im With You always seemed destined for the top. Depending on who you believe Lavigne, a former Shania Twain wannabe, has succeeded by presenting a calculated image or presenting herself as is. Regardless, her music is good, especially for teen pop. Lavigne has established her cred with a rebellious but not weird image and songs that rock and are also catchy. The kids obviously dont think her wimpy for doing a fairly standard ballad. Im With You has many of the trappings of an easy listening hit. With fairly heavy strings and power chords and drums crashing in on the chorus, Im with You follows power ballad conventions. The verses are fairly drab and Lavignes voice is thin in patches. But Lavignes sincerity gives Im With You power. When she wails the title, Lavigne seems more real than the typical balladeer. Theres an appealing youthful openness to Im With Yous lyrics about being ready to unconditionally throw herself into a relationship with a special someone wholl find her, take her hand and end her loneliness.

  15. Zwan-Honestly    (down 4 positions)      buy it!
    Three years after the release of Smashing Pumpkins last studio record, Billy Corgan is back with his new band Zwan, which also includes former members of Chavez and A Perfect Circle, and a CD called Mary Star Of The Sea. Not surprisingly, Honestly sounds like a Smashing Pumpkins song. Corgans voice will probably be distinctively whiny until the day he dies. But Corgans 35 now and Honestly has a bit of a grown up sound. Its a rocker, especially towards the end when Corgan plays an OK, showy solo. But Honestly has a good, open, leisurely feel. Honestly avoids the dense sound of many Pumpkins songs but it does remind me of the likable rocker Stand Inside Your Love, one of the Pumpkins last singles. I dont love the way Corgans guitar is processed to sound like a plane taking off but its low in the mix and doesnt interfere too much with Honestlys melodic quality. With ex-Pumpkin Jimmy Chamberlins good drumming, Honestly easily moves forward. Corgans vocal range is limited but hes mostly appealing warm as he sings that theres no place I could be without you. Honestly expresses ambivalence about a long time relationship but Corgan easily decides that he feels loved, that she means the best that life can bring and he doesnt want to wipe the memories aside.

  16. Trapt-Headstrong    (up 6 positions)      buy it!
    Headstrong is from the California band's self titled major label debut. Headstrong holds some hints that Trapt could be more interesting than other nu-metal bands. The sound isn't as cluttered or murky as that of some of their contemporaries. The verses are pretty good. Chris Brown's vocal is smooth and quick with a rapper's sensibility. The vocal is nicely underlined by Simon Ormandy's light, loose guitar. The chorus is effective but less interesting as Brown and Ormandy's trade short, jagged thrusts of guitar. Brown's angry croon is awfully familiar. In the end, not much distinguishes Headstrong from intense rap metal by Linkin Park, Papa Roach and many others. Headstrong is competently made but not particularly likable or interesting. Headstrong apparently announces a break with an ambitious musical associate who won't change his wrong ideas.

  17. B2K and P. Diddy-Bump, Bump, Bump    (up 3 positions)      buy it!
    Bump, Bump, Bump is from the Pandemonium CD. B2K, P. Diddys young proteges, have shown little talent except for the ability to look good and confident in their videos but a year after hitting the charts with the dopey, catchy Uh Huh, they have an even bigger hit with the equally dopey and even catchier Bump, Bump, Bump. B2K owe R. Kelly, who wrote and produced Bump Bump, Bump, for the songs success. Bump, Bump, Bump has the single minded focus on sex and pleasure of much of Kellys previous work. With a sensual bass drum beat, a good acoustic guitar riff and an emphatic synth underlining the title, Bump, Bump, Bumps music is enticing. I see why Bump, Bump, Bump is a hit but I still find it very annoying. Starting with the cliched sending this out to all the ladies, the boys lines and delivery are so heavy handed and uninspired that I dont see what theyre so cocky about. The lyrics dont go much beyond admiring a girls sexy style and requesting that she start pleasin me. Im no fan of P. Diddys flat, low energy raps but his portion of Bump, Bump, Bump has a little more substance than B2Ks lightweight singing. I only find Bump, Bump, Bump tolerable when I ignore the vocals and focus on the groove.

  18. Christina Aguilera-Beautiful    (down 2 positions)      buy it!
    After Dirrty, Christina Aguilera's update of Redman's Let's Get Dirty, had a fairly short stay in the pop top 20, there was a lot of talk that poor song selection and image presentation would lead Aguilera's career into a nose dive. Aguilera has proved the doubters wrong. Beautiful, the second single from Aguilera's Stripped CD, is one of Aguilera's biggest hits. Aguilera wisely worked on Beautiful with writer/producer Linda Perry, who did Get The Party Started for Pink and is sure to be an extremely sought after collaborator for the forseeable future. Beautiful is smartly constructed. It starts with very minimal music and slowly builds from Perry's piano. The strength of Aguilera's voice has never been in doubt. She again shows impressive range and, while her singing will never be subtle, Aguilera shows some restraint. Lyrically, Beautiful gets off to a bit of a shaky start. Aguilera shares her insecurity about her fame before declaring that her detractors can't "bring me down." But, in conjunction with a good video and an empathetic musical feel, Beautiful's uplifting message of self respect take on a more universal feel that young listeners have latched onto.

  19. Ja Rule featuring Ashanti-Mesmerize    (up 4 positions)      buy it!
    I am really sick of hearing Ja Rule's self satisfied rasp of a voice on his and other people's hits. And I don't like the way Ashanti fits into Jeff Atkins' and Irv Gotti's "man's world" as the ideal, submissive woman. But, damn it, Ja and Irv know how to make catchy, if very lightweight, hits. On Mesmerize, from his The Last Temptation CD, Ja's croak is as annoying as ever. But Ashanti's sweet voice is as appealing as ever and the perky little synth riff is ridiculously catchy. I'd imagine that disses from 50 Cent and others would encourage Ja to toughen up his sound, but I guess, with the success he's had, he's crying all the way to the bank. Mesmerize is another opportunity for Ja to objectify women as he dissects the parts of a women that he loves and uninterestingly says how he wants to "do it" with her. Annoyingly, Ashanti's character mostly plays along, swooning and asking him to "take me tonight and do what you do to me baby."

  20. Justin Timberlake-Cry Me A River    (down 1 position)      buy it!
    On Just Like I Love You, the first single from the N Sync pretty boys Justified CD, Justin Timberlakes worked too hard to show his urban cred and ended up with a slavish, fairly lame Michael Jackson imitation. The more relaxed Cry Me A River works better and is actually soulful. The production lets polished studio singers take over for large portions and move the song forward smoothly. Cry Me A River has a relaxed pace and a fairly uncluttered sound but its also scuffed up a little by a stuttering beat and synths that trumpet and dissolve into a draggy dissonance. Timberlakes singing is pretty innocuous on the verses but things improve when the backup singers help him out and when he reaches for an impassioned falsetto. Cry Me A Rivers lyric plays out the fantasy of many who have been taken advantage by a romantic partner. Timberlake gets to tell the woman who left him all alone, but is asking for him again, that its her time to cry.

  21. Evanesence-Bring Me To Life    (up 12 positions)      buy it!
    Evanescence is a Little Rock, Arkansas band started by former camp buddies Amy Lee and Ben Moody. Bring Me To Life is on the Daredevil soundtrack and Evanescence's Fallen CD. It was inevitable that someone would take the pop metal sound that's dominated rock music the last couple years and make it more glossy and even poppier. Bring Me To Life strikes me as one of the silliest hits of recent times. It brings to mind a bizarre mix of Linkin Park and the bloated Meat Loaf influenced hits Bonnie Tyler had in the early 80s. Bring Me To Life is also a touch gothic. Singer Amy Lee comes on like a spacier Sarah McLachlan though, to McLachlan's credit, she's never been as overdramatic as Lee is. With sweeping strings, crunching guitars, vaguely ominous synths and guest vocalist Paul McCoy playing Mike Shinoda(Linkin Park's rapper), Bring Me To Life throws in everything but the kitchen sink to make a hit. I can imagine how Bring Me To Life's over the top style could work on the soundtrack of a movie about a superhero but out of that context, it's ridiculously overblown. Bring Me To Life is fairly bad poetry. Lee appreciates how a guy can "see into my eyes like open doors leading you into my core" and asks him to wake her numb, soulless, sleeping spirit and "save me from the nothing I've become."

  22. Santana Featuring Michelle Branch-The Game Of Love    (down 4 positions)      buy it!
    After achieving incredible success, with a big assist from Matchbox 20's Rob Thomas, on the Supernatural CD by targeting baby boomers, Carlos Santana aimed for an even younger audience by teaming up with teen favorite Michelle Branch. Neither the song nor Branch's vocal is particularly exciting but, coming on the heels of her weepy hit Goodbye To You, it's nice to hear Branch loosen up a little. Branch again is likably sweet and unassuming, especially when she doesn't quite reach the high notes. Game Of Love, from Santana's Shaman CD, has a pretty dopey lyric. Branch cries for a guy who don't "come around no more", asks him to "use me" and "control me" and consoles herself with the thought that "it's all in the game of love." Fortunately, Game Of Love's music is so relaxed that Branch's angst barely registers. The innocuous "little bit of this", "little bit of that" hook is the most memorable line. Santana's comeback music isn't great but his ability to blend contemporary sounds with the dense but easy music he's been playing with his band for more than 35 years is impressive. Game Of Love's steady percussion flow isn't that different from Oye Como Va's. Game Of Love is very lightweight but its hand claps and horns give it a rich, buoyant feel. The guitar playing is quite remarkable. It's distinctively Santana's and impressively proficient but it never sounds like showing off. Santana seems like he's just trying to fit in with and accentuate Game Of Love's sunny mood even towards the end when he throws out a very good and seemingly effortless solo.

  23. Disturbed-Remember    (up 3 positions)      buy it!
    Remember is the second chart hit from Disturbed's Believe CD. Remember is another piece of trash from the Chicago based band led by troubled singer David Draiman. Disturbed apparently weren't satisfied selling millions of their angry, edgy, threatening Sickness CD. Believe preserves Distubed's attacking, nasty sound but it also seems made with one eye to the market. Remember has a slightly calmer, commercial sound than the band's previous hits. Disturbed's attempt at mainstream rock success makes them seem lamer than ever. On Remember, Draiman again tells about his excruciating inner sickness. Draiman apparently had suppressed "pain I felt so long ago." He is no longer able to ignore the pain but he tries to hide it behind a mask. For a guy who comes on like such a tough guy, Draiman is quite a whiner.

  24. Kid Rock and Sheryl Crow-Picture    (unchanged)      buy it!
    Until Picture was released as a single, Kid Rocks Cocky CD wasnt selling and his career was in decline. Now, a year and a half after it was released, Cocky is another multiplatinum hit for Kid Rock. Ive never been a Kid Rock fan but Picture impresses me. Picture shows more smarts than I thought Kid Rock had. Picture, with its story of a guy cheating on the road while his woman cheats at home, has the feel of a country classic. Kid Rock uses the comfort of a traditional form but doesnt condescend. Pictures music gets an authentic feel from steel guitar but doesnt overdo the twang. The music stays nicely minimal with restrained drumming and organ and a good, simple guitar solo. Kid Rock isnt a great singer but hes decently controlled. As usual, vocal pro Sheryl Crow is solid. Shes a natural with a country ballad but she doesnt upstage Kid Rock. Picture is a big improvement over Kid Rocks previous hit ballad, the self pitying God Only Knows. Picture has a surprising sad sweetness. The adulterers regret their actions and both just want him to come back home.

  25. T.A.T.U.-All The Things She Said    (up 5 positions)      buy it!
    A lot of contemporary European music is garbage. People on the continent seem to love music that takes 70s disco and makes it even more glossy and superficial. However, All The Things She Said reminds me of how, after listening to American pop carefully produced to sound familiar, European music, with its love of big sounds, over the top dramatics and odd subjects, can be refreshing. All The Things She Said, from T.A.T.Us 200 Km/h In The Wrong Lane CD, with its big beat and power chords, cheesy synths and anguished vocals, is currently one of my favorite pop songs. The frantic emoting of Julia Volkova and Lena Katina, T.A.T.U.s young Russian singers(who are probably not real life lovers), effectively matches All The Things She Saids story of tortured lesbian attraction. All The Things She Said is packed with intense, passionate soap imagery of passion thats opened my eyes but made her feel totally lost and like shes lost my mind and crossed the line. It would be inaccurate to imply that All The Things She Said travelled, without alteration, from Russian dance clubs to American airwaves. All The Things She Said was polished by producer Trevor Horn who in his work with, among others, Frankie Goes To Hollywood, The Buggles and Yes, practically defined a flashy, dramatic early 80s dance rock sound. Either Horn is trapped in his production style of 20 years ago or he realized it would work well on All The Things She Said. Regardless, his retro sound helped create a very fun final product.

Songs 26-50


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