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All-Reviews.com Top 50 Songs*:
for the 1st week of August, 2001

*based on airplay at alternative, pop and rock radio stations a cross the nation (reviews by LarryG)

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  1. Staind-It's Been Awhile    (unchanged)      buy it!
    It's Been Awhile, the first single from the Break The Cycle CD, entered the top 50 as singer Aaron Lewis had just made the top 10 for the first time with Outside from the Family Values Tour CD. It's Been Awhile is similar to Outside: thoughtful and fairly subtle for radio rock but very serious and not much fun. It's Been Awhile is another song about Lewis' troubled mind. He sings about how he always screws things and longs for the feeling of relief that came with his love. It's Been Awhile's verses are fairly quiet and similar to Outside. Power chords and drums create rock drama on the chorus but things don't get too overdone.

  2. Train-Drops Of Jupiter    (unchanged)      buy it!
    If Black Crowes' Chris Robinson was in a really good mood and fronted an upbeat piano based Bruce Hornsby song, it would sound a little like Drops Of Jupiter, the title track from Train's new CD. Like Meet Virginia, it's a tribute to a complicated lady but Drops Of Jupiter is even sunnier than Train's first hit. Drops Of Jupiter has soaring strings and not much of an edge. The lyrics, which compare love to "the best soy latte that you ever had", don't hide their lightweight, yuppie side. Still, Drops Of Jupiter has good energy and it's hard to resist the positive vibe as Pat Monahan recites the attributes of woman whose growth convinces him "there's time to change."

  3. Incubus-Drive    (unchanged)      buy it!
    The third chart hit from the Make Yourself CD is my favorite Incubus single so far. As usual, Brandon Boyd's lyrics are pretty serious but they have an appealing vulnerability and modest optimism. Boyd sings about feeling "the fear of uncertainty" but finding he can stop it from taking control. Boyd's singing is also serious but not overly dramatic. The band and producer Scott Litt provide a likably simple musical setting based around acoustic guitar and light percussion.

  4. Dave Matthews Band-The Space Between    (unchanged)      buy it!
    More than the glib I Did It, The Space Between captures the mood of the Everyday CD, which is at its best on easy, textured ballads that carry on the tradition of the band's best songs like Crush and Crash Into Me. The Space Between has Crash Into Me's delicate, unhurried feel. Matthews repeats a graceful guitar line and his likably relaxed singing creates a hopeful mood. The Space Between is one of Everyday's many songs about Matthews trying to save a troubled relationship. He warns a woman "you cannot quit me so quickly" and reminds her "the space between the tears we cry is the laughter that keeps us coming back for more."

  5. Fuel-Bad Day    (up 2 positions)      buy it!
    The third chart hit from the Something Like Human CD is another power ballad. The music and Brett Scallions' singing aren't as overwrought as on Hemmorhage and Innocent but Bad Day is still very intense and serious. Bad Day sounds like a hit, using the formula of starting with acoustic guitar and letting the rock sound build. The lyrics are OK, a simple tale of a girlfriend whose problems may be more serious than she's letting on.

  6. Three Doors Down-Be Like That    (unchanged)      buy it!
    The fourth chart hit from This Better Life is 3 Doors Down's inevitable rock ballad. Three Doors Down move into Matchbox 20 territory for a song a little like Push. Brad Arnold's voice doesn't have the strength and personality of Rob Thomas' but he's less showy as well. Be Like That starts with a quiet, reflective guitar. The band kicks in on the chorus but to their credit, they don't use the power chords and bombast of many rock ballads. Be Like That is quite ordinary and unremarkable but it's a decent song with strings, a mellow mood and stories of a guy dreaming he was a TV star and a homeless woman just dreaming she had "a safe home and a warm bed."

  7. U2-Elevation    (down 2 positions)      buy it!
    The third chart hit from All That You Can't Leave Behind is the closest the generally mellow CD comes to U2's big, empty synth filled 90s work. Elevation is a silly but fun song about a woman who makes Bono "feel like I can fly." Bono has a good time with his "woo-hoo" falsetto and goofy "mole living in a hole" lyrics. Eno and The Edge's synths create a buoyancy that overcomes the music's industrial nature.

  8. Stone Temple Pilots-Days Of The Week    (up 1 position)      buy it!
    A year and a half after releasing their reunion CD, No. 4, Stone Temple Pilots are back. The short, unassuming Days Of The Week is the first single from Shangri-La Dee Da. Like On Down, Dean DeLeo plays good crunching power chords but Days Of The The Weak also has the fun feel of Big Bang Baby and an easy flow that was largely missing from STP's more assertive, derivative early work. Scott Weiland's lyrics, listing the days to describe a difficult relationship with someone who often "thinks I'm the enemy", are typically minimal and not very insightful but his singing is good, strong but relaxed.

  9. Sugar Ray-When It's Over    (down 1 position)      buy it!
    When It's Over is from Sugar Ray's new self titled CD. It wasn't that long ago that Sugar Ray mostly played fast, anarchic ska/metal/dance music. Since then they've found big success by easing to a genial pop sound, especially on 14:59's hits: Every Morning, Falls Apart and Someday. Sugar Ray's sound is likable, even if it's unexciting. Sugar Ray has Someday's charming, unassuming feel. It's well constructed with a pleasant beat and good, subtle keyboards and guitar. Mark McGrath's voice is a little flat and not great but it fits with the music's mood. He's amiable even as he mourns a lost relationship, idealizes his ex, denies it's over("can I still come over") and feels sorry for himself.

  10. Lifehouse-Hanging By A Moment    (unchanged)      buy it!
    Hanging By A Moment is from the No Name Face CD. Lifehouse are another young band clearly showing their Pearl Jam and Nirvana influences. There's a similarity between Lifehouse and Creed, the most successful Pearl Jam soundalikes. But on Hanging By A Moment, Lifeboat are serious without Creed's bloated excess. Hanging By A Moment is a familiar sounding rock ballad but Jason Wade is appealingly sincere, singing about "falling even more in love" and "letting go of all I've held onto", "living for the only thing I know."

  11. Linkin Park-Crawling    (unchanged)      buy it!
    Linkin Park's first rock hit was noisy and nasty but its stomping "one step closer to the edge and I'm about to break" hook was stirring and catchy. Crawling, the second single from the Hybrid Theory, has higher pretentions. It's a Korn style mix of synth atmospherics and hard rock. Linkin Park's sound is engineered to appeal to disaffected male youths. Crawling has a touch of Mike Shinoda's rap, meaningful, troubled lyrics on the verses and Brad Delson's big guitars and Chester Bennington's unpleasant, full throated yell on the chorus. The lyrics, similar to those of many recent rock songs about troubled males, are pretty bad. Bennington complains about being controlled by a lack of contol and of "crawling in my skin."

  12. Tool-Schism    (unchanged)      buy it!
    I've had enough of harsh rock about troubled young white guys but I have to admit that Schism, the first single from Tool's Lateralus CD, is powerful and about as good as the genre gets. Schism slowly gains in intensity through its seven dark minutes. Schism isn't fun but, despite its meaningful tone, it generally avoids pretension. Schism, coming on the heels of the three top 50 hits from A Perfect Circle's Mer De Noms, continues Maynard James Keenan's success. Keenan is also continuing to make music that's quieter and more stark than Tool's earlier work. Adam Jones' dissonant guitar line is more about atmosphere than noise. Keenan's agitated vocal sounds like he's barely controlling his rage as he sings of the disintergrating and "fundamental differing" of two lovers. As he mourns the "atrophy" of a sense of compassion", Keenan obsesses about a time when "the pieces fit."

  13. Blink 182-The Rock Show    (unchanged)      buy it!
    It's seems like time for Blink 182 to try something new and let their sound evolve a little. Still, Blink 182's fast, unpretentious punky pop is very enjoyable. They're less gimmicky and more likable than current competitors like New Found Glory and Sum 41. Blink 182 are particularly appealing on The Rock Show, a nice, simple reminiscence of a girl met at a Warped tour concert and how "everything's better when she's around." The Rock Show, from Take Off Your Pants and Jacket, is buoyant, with a fun, stuttering beat and guitar line that never stop.

  14. Black Crowes-Soul Singin'    (unchanged)      buy it!
    The second chart song from the Lions CD is Black Crowes' best single in years. Soul Singin' makes good use of Chris Robinson's natural exuberance for a genuinely uplifting song. The verse, with Rich Robinson's CCR style guitar line, has a good down and dirty feel. On the chorus, Chris and good backup singers create a stirring gospel tinged sound. There isn't much to Soul Singin' and its tale of settling down to look for "holy places not yet found" but it has a good, positive feel.

  15. Dave Navarro-Rexall    (unchanged)      buy it!
    Trust No One is the former Jane's Addiction and Red Hot Chili Peppers guitar player's solo debut CD. Rexall starts like a Chili Peppers psychedelic rock ballad. The atmosphere gets thicker and by the end it has a dense, bleak Korn/Tool type sound. Navarro has the guitar chops to carry off the transition. His voice is competent and pleasant but he doesn't modulate his vocal to match the song's dynamic shift. In general, Rexall is interesting but not that striking. Rexall is about the gap between the positive appearance and sad reality of a relationship and Navarro's agitation as it dies. He sings "I'm running out of room" and repeats "I hate my life."

  16. Cake-Short Skirt/Long Jacket    (up 5 positions)      buy it!
    Cake's music usually catches your attention with John McCrea's sardonic vocals. On Short Skirt/Long Jacket, McCrea is as much of a smart ass as ever as he sings about the attributes he wants in a girl(like "eyes that burn like cigarettes"). Still, I find Short Skirt/Long Jacket more enjoyable than previous Cake hits Never There and The Distance because the music is better. Short Skirt/Long Jacket, from the Comfort Eagle CD, has a good funky guitar line and beat and fun touches like Vince DiFiori's trumpet.

  17. Saliva-Your Disease    (down 1 position)      buy it!
    Your Disease, from the Memphis band's Every Six Seconds CD, covers a lot of the bases of hard modern rock to create a sound that its target audience must find irresistable. Like Limp Bizkit, Saliva mixes hard guitars with rap. Over Soundgarden style hard guitars, Josey Scott does a slow Kid Rock style white trashy rap with some truly awful lines("like the Bee Gees cry, I'm just stayin' alive). The chorus is catchy metal pop that would make Def Leppard proud. Your Disease's lyric is familiar junk: "it feels like paradise", "I want to take you down, but your soul cannot be found" and "there's nothing here for free."

  18. Destiny's Child-Bootylicious    (up 1 position)      buy it!
    As the women mock a potential dance partner and challenge him to show he can handle them, Bootylicious is another show of Destiny's Child's confidence. But unlike the exhausting brag about Beyonce's success on Survivor's title track, Bootylicious is fairly good natured. Bootylicious is effective dance music. A steady electronic clap supplies a good beat. A riff sampled from Stevie Nicks' Edge Of 17 was a strange choice but it adds an edge otherwise missing from this very simple song. Even with it, Bootylicious' repetitiveness means diminished returns from repeated listenings.

  19. Weezer-Hash Pipe    (down 2 positions)      buy it!
    After their good but idiosyncratic 1996 Pinkerton CD sold disappointingly, Weezer took a break then tightened their sound. The payoff is their best and most successful CD: the very good, rocking green album. Hash Pipe was a good choice of a first single. The tough, rocking sound helps kill the band's image as video dependent jokesters. Brian Bell and Rivers Cuomo's guitars are as big and menacing as any hard rock band's. Cuomo sings without his earlier tentativeness. On Hash Pipe, about a transsexual prostitute smoking to relieve life's paranoia and anxiety, Cuomo moves assuredly in and out of a falsetto, always adding to the song's sense of urgency. As on Buddy Holly, power chords and catchy hooks create a great, exhilarating sound.

  20. Janet Jackson-Someone To Call My Lover    (up 2 positions)      buy it!
    Like on All For You's title track, Janet Jackson plays it safe on the CD's second hit, using a familiar riff from a 70's hit, creating a pleasant, though not particularly exciting, sound. Someone To Call My Lover, written and produced by Jackson and her longtime partners Jimmy Jam and Terry Lewis, has a nice, easy feel with a riff from America's Ventura Highway, chiming keyboards and smooth beat. Jackson's vocal is fluid and likable. Someone To Call My Lover is also like All For You in its hope that some guy will come up to her and decide she's "the girl of his dreams." On Someone To Call, Jackson bemoans the loneliness of the road and how "easily I fall in love."

  21. Tantric-Breakdown    (down 1 position)      buy it!
    Before recording Days Of The New's second CD, frontman Travis Meeks fired the rest of the band: guitarist Todd Whitener, bassist Jesse Vest and drummer Matt Taul. Since then, Days Of The New 2 sold disappointingly and Meeks' ex-bandmates are doing well with their new band Tantric and their self titled CD. On Breakdown, the Louisville band create a potent, well produced sound with power chords, a big beat and a touch of synths. Unfortunately, the vocalist they chose, Hugo Ferreira, is just another mannered, overwrought rock singer. And Breakdown is very standard rock. Its chorus is a little like that of Bob Seger's hackneyed song with the same name. The lyrics are fairly pontless, taunting someone who seems "to have it all" and "to have control", who's losing it and trying to "find the reason that no one else is living this way."

  22. Puddle Of Mudd-Control    (up 7 positions)      buy it!
    Like Staind, Puddle Of Mudd are a Fred Durst discovery. With their familiar rock sound, Puddle Of Mudd should also have quite a bit of success, but unlike Staind, who have Aaron Lewis' distinctive folky sincerity, nothing distinguishes Puddle Of Mudd from the long list of intense rockers some white male teens can't get enough of. Puddle Of Mudd aren't as abhorrent as the worst angry rockers like Linkin Park, Godsmack and Disturbed but Contol is very routine with big guitars and vocals that yell to a girl about "the pain you place inside" and ask for release "from my dirty cage." Puddle Of Mudd sound like Saliva, Tantric and so many other bands.

  23. Sum 41-Fat Lip    (unchanged)      buy it!
    Fat Lip, from the All Killer No Filler CD, is fairly fun but totally derivative punky pop. Fat Lip alternates between an early Beasties style mix of rap and rock guitar and mindless power pop. The rhymes, like "I like songs with distortion, to drink in proportion, the doctor said my mom should have had an abortion", are cocky and dopey. With Deryck Whibley singing about being "sick of always hearing act your age" and of liking to have "fun at other people's expense", the other half of Fat Lip is basically a rehash of Blink 182's What's My Age Again. The song also throws in some lame rebellion("I'll never fall in line, become a victim of conformity") but the song's appeal comes from its fast, high spirited energy.

  24. Jessica Simpson-Irresistible    (unchanged)      buy it!
    Irresistible is terrible, even by teenpop standards. Irresistible, the title track from Simpson's new CD, is a rehash of songs that weren't so good the first time. The music is very synthetic synthy dance pop. On the verses, Simpson's voice has Britney's pinched, processed quality. On the chorus, Simpson tries, largely unsuccessfully, for a big Christina Aguilera sound while the music mimics Genie In A Bottle, even adding a touch of Latin guitar sound. On Irrestistible, Simpson is the swooning woman who's "weak with desire." I find the lyrics on the chorus unlistenably banal: "he's irresistible, up close and personal, now inescapable, I can hardly breathe."

  25. Depeche Mode-Dream On    (down 7 positions)      buy it!
    Depeche Mode are in the third decade of flaunting a bleak worldview. Exciter is their first set of new songs in four years. Like most Depeche Mode music, Dream On isn't much fun or as deep as the band thinks. But the sound, while cold like Personal Jesus, has a sleek, stark appeal, with a minimum of beat and synth clanging. Dave Gahan's vocals and Martin Gore's lyrics are typically dark and humorless. After stating "death becomes me", Dream On warns those who "party for a living" of karmic payback: "pain is waiting, priming to do its educating." We've heard versions of the song's warning from the band before. If "you feel a little love, dream on."

Songs 26-50


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